Jacob Vrel (fl. 1654 – c.1670)[1] was a Dutch, Flemish, or Westphalian painter of interiors and urban street scenes during the Dutch Golden Age (1588–1672). He was likely most active from 1654 to 1662.[2]
Biography
Jacob Vrel is also referred to as Jan instead of Jacob(us); alternative spellings of his surname are Frel, Frelle, Vreele, Vrelle, and Vriel.[3]
Though Vrel's birthplace is unknown, scholars consider him a Dutch artist.[2]
The lack of biographical information and challenging visual evidence has led scholars like Elizabeth Honig to call him "the most entirely elusive painter of 17th century Holland."[4]
Despite the many architectural elements, bread products or clothing of the figures in his paintings, art historians are unable to assign most of Vrel's street scenes to any particular city or region. Vrel is thought to have composed them mostly from imagination.[5] As of 2021, two experts have recognized streets and buildings of the Dutch city of Zwolle, not far from the German border in three pictures.[6]: 30 [7]
Vrel's works are sometimes confused with those by Esaias Boursse[3] or Pieter de Hooch.[9]
Vrel painted without glazes.[10] He often painted his signature on a strip of paper or cloth in his painting, reminiscent of European medieval banners or scrolls.[6] At least half of the pictures by Vrel contain signatures altered to read "Johannes Vermeer" or "Pieter de Hooch."[1]
Work
A range between thirty-eight[11] and forty[12] paintings have been attributed to Vrel before the 2021 catalogue raisonne, which names forty-nine.[13]
The following public collections contain Vrel´s work in their permanent holdings:
Alte Pinakothek, Munich, Germany: Street Scene with Figures in Conversation[14]
A retrospective exhibition curated by Berndt Ebert of the Alte Pinakothek was to open in late 2020,[15] combined printed exhibition catalog and catalogue raisonné by Ebert, Cécile Tainturier and Quentin Buvelot.in 2021.[16] Because of the coronavirus pandemic, the monographic exhibition on Vrel was rescheduled to be shown in 2023 at the Mauritshuis in The Hague,[17][18] and then at the Fondation Custodia in Paris.
References
Wikimedia Commons has media related to Jacob Vrel.
^ abHonig, Elizabeth Alice (1996). "Vrel, Jacobus". In Turner, Jane (ed.). Dictionary of Art. Vol. 32. London: Macmillan. p. 728. ISBN1884446000.
Théophile Thoré. "Van der Meer de Delft." Gazette des beaux-arts [suppl. is Chron. A.] 21 (1866): 458–470.
Clotilde Brière-Misme. "Un 'Intimiste' hollandais: Jacob Vrel." Revue de l’art ancien et moderne 68 (1935): 97–114, 157–172.
Gérard Regnier. "Jacob Vrel, un Vermeer du pauvre." Gazette des beaux-arts [suppl. is Chron. A.] n.s. 6, 71 (1968): 269–282.
Peter Sutton, ed. Masters of Seventeenth-Century Dutch Genre Painting (exh. cat. Philadelphia Museum of Art; Gemäldegalerie, Berlin; Royal Academy, London, 1984): 352–354.
Elizabeth Honig: "Looking in(to) Jacob Vrel." Yale Journal of Criticism 3, no. 1 (Fall, 1989): 37–56.