Cooper's national awards include a Music Alive Residency Award from New Music USA,[6] a Charles Ives Scholarship from the American Academy of Arts and Letters,[7] and a Morton Gould Young Composer Award from ASCAP.[8] He was also the winner of the 2011 Carsblad Music Festival Composers’ Competition[9] and has been hailed by the New York Times as "richly talented"[10] and by The New Yorker as a "maverick song composer."[11]
Cooper is an associate professor at West Chester University[12] and previously served on the faculty at Amherst College.[13]
Works
Cooper's largest projects include Silver Threads, a song cycle for voice and electronic track released by Nonesuch Records,[14] and Ripple the Sky, a work for voice and processed string octet commissioned by the Los Angeles Philharmonic Association.[15] These works highlight Cooper's focus on slow development and the stretching of musical time.[16] Many of Cooper's compositions involve live processing and electronics, and his interest in the digital realm extends to visual media: his video series Triptych was screened at the 2012 MATA Festival,[17] and his piece Commencer une autre mort was shortlisted for the Guggenheim exhibit YouTube Play: A Biennial of Creative Video (2010).[18]
Compositions and projects
Opera and vocal/theater
Threnos (for the Throat) (2017–20) for processed women's choir with electronic track
Timberbrit (2008, revised 2010) for male vocalist, female vocalist, guitar, keyboard, drumset, and laptop
Orchestral / large ensemble
Sanctus (2015) for orchestra and SATB choir
Serenade (2013) for 2 vocalists and 16 instrumentalists
Stabat Mater Dolorosa (2009) for string orchestra and 4 amplified voices
Odradek (2006) for full orchestra
Chamber
Terrain (2020) for 2 vocalists and cello
Air I and Air II (2016) for percussion quartet
Ripple the Sky (2016) for voice and string octet
Pasturing I and Pasturing II (2014) for guitar and percussion / drum set
Cast (2014) for chamber ensemble
Agitated, stumbling, like an endless run-on sentence (2011) for cl, bsn, tpt, tbn, perc, vln, db
bad black bottom kind (2011, rev. 2013) for string quartet
Cello Octet (2010)
Solo (and solo with electronic track / laptop)
Three pieces for Trombone and Trombone Track (2019)
Expiation (2018) for voice with electronic track
Ley Line (2016) for solo cello
Silver Threads (2011–13) song cycle for voice with electronic track
La Plus Que Plus Que Lente (2013) for piano with laptop