You can help expand this article with text translated from the corresponding article in Japanese. (May 2016) Click [show] for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at [[:ja:橋口譲二]]; see its history for attribution.
You may also add the template {{Translated|ja|橋口譲二}} to the talk page.
Jōji Hashiguchi (橋口 譲二, Hashiguchi Jōji, born 1949) is a Japanese photographer.[1]
Publications
We Have No Place to Be. Soshisha, 1982.
Expanded edition. Session, 2020. With an essay by Yoshitomo Nara.[2]
Seventeen's Map. Bungeishunju, 1988.
Zoo. Joho Center Shuppan kyoku, 1989.
Father. Bungeishunju, 1990.
Berlin. Ota Shuppan, 1992.
Couple. Bungeishunju, 1992.
Work 1991-1995. Media Factory, 1996.
Children's Time. Shogakukan, 1999.
Dream. Media Factory, 1997.
Freedom 1981-1989. Kadokawa Shoten, 1998.
Seventeen 2001-2006. Iwanami Shoten, 2008.
Hof Memories of Berlin. Iwanami Shoten, 2011.
References
^(in Japanese) Tokyo Metropolitan Museum of Photography, editor. 328 Outstanding Japanese Photographers (『日本写真家事典』, Nihon shashinka jiten). Kyoto: Tankōsha, 2000. ISBN4-473-01750-8