Hoodlum (production company)Hoodlum is an Australian production company founded by Nathan Mayfield and Tracey Robertson,[1] with a main office in Brisbane and a U.S. office in Los Angeles as of 2015[update].[2][3] The company also operates in the UK.[4] WorkIn 2011, Hoodlum produced the FOX8 multi-platform 10-part TV drama series SLiDE, which was nominated for an International Emmy Kids Award.[1][5] In 2012 Hoodlum produced The Strange Calls, a six-part narrative comedy series for Australia's ABC.[6][7][8] In January 2015, a U.S. adaptation of The Strange Calls was ordered to pilot at NBC.[9] Hoodlum also worked with ABC (U.S.) on a remake of Fat Cow Motel, their 13-part TV comedy series.[3] In 2014, Hoodlum's television division produced the six-part show Secrets & Lies for Network Ten Australia.[10][11] It also produced the adaptation of Secrets and Lies for ABC (U.S.), which returned for a second season in 2016.[12][13] In 2015, the company produced a teen sci-fi feature film Red Sands, for Disney, set in the Australian outback. In the same year, developed the psychological thriller Exposure for A&E Studios and Lifetime (U.S.), and the supernatural drama Tidelands for Netflix.[citation needed] Hoodlum Digital has created many multi-platform[14] experiences for TV and film franchises, including The Bourne Legacy; Lost (for which they won a Creative Arts Emmy Award[15]); Spooks (for which they won two BAFTA Craft Awards[16]); and Primeval. Their online game Primeval Evolved won an International Digital Emmy.[17][18] Other work includes Salt, Vikings, and Texas Rising.[citation needed] As of June 2023[update] Hoodlum was working on the film of the book No Friend But the Mountains, by journalist and refugee advocate Behrouz Boochani.[4] PersonnelScreenwriter and director Lucas Taylor was a creative director at Hoodlum from 2011 or 2012 to 2016. He worked on where he worked on various projects, including The Bourne Legacy, Salt, Dance Academy, Primeval, and Divergent.[19][20] As of June 2023[update], co-founders Robertson and Mayfield share the role of chief creative officer, leading a team of four creatives and two business staff.[21] References
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