An extended version of the album titled Reprise was released on 13 September 2021.
Background
The album follows on three years after Odette's debut album, To a Stranger (2018), which received high critical acclaim and two ARIA Awards nominations in the year of release.[3]
Discussing the album in a press release, Odette stated:
"This album is sort of a nuanced discussion of the positives and the negatives of mental illness and also just being a human being. It talks about the realities of hurting others, the consequences of that, and even more so, it holds me accountable—it holds me to my word."[3]
Recording
Odette collaborated with producer Damian Taylor during recording sessions, who previously produced her debut album.[4]
Composition
The album as a whole discusses themes of transitioning from adolescence to adulthood,[4] and mental health,[5] whilst "Dwell" is "anchored in Odette's own [sic] reflections on grief and the manifestations of emotional negativity."[6]
In an interview with Triple J, Odette described the album as focussed sonically around "a classic scale with electronic elements."[1]
Release
Herald's title and release date were announced on 20 October 2020.[7]
The album was released on 5 February 2021 on CD,[8]LP,[9]digital download, and streaming formats.[10] A bone-coloured edition of the vinyl was also made available exclusively at Australian JB Hi-Fi stores.[11]
Promotion
Singles
Herald was supported by four singles.
"Feverbreak", a collaboration with Hermitude, was released as the album's lead single on 14 February 2020.[12]
"Dwell" was released as the second single on 20 October 2020.[7]
"Amends" was released as the third single on 8 January 2021.[13]
"Trial by Fire" was serviced to Australian contemporary hit radio as the album's fourth and final single on 14 May 2021.[14]
Live performances
On 15 November 2020, Odette performed "Dwell" live for Australian live music program The Sound.[15]
Herald received favourable reviews from music critics.
Exclaim!'s Urbi Khan labelled it a "coming-of-age album". Khan felt that "[Odette] sheds her past self and creates the new out of the ashes".[17]
Guido Farnell from The Music was positive in his review of the album, noting "there is great poetic intent driving her somewhat lovelorn lyrical observations."[18]