Hard Eight (film)
Hard Eight (originally titled Sydney[2]) is a 1996 American crime film written and directed by Paul Thomas Anderson in his feature directorial debut, and starring Philip Baker Hall, John C. Reilly, Gwyneth Paltrow and Samuel L. Jackson. It is the expansion of the short film Cigarettes & Coffee. The film follows the life of a senior gambler and a homeless man. It premiered at the 1996 Cannes Film Festival.[3] PlotSydney Brown, a well-dressed senior gambler, finds John Finnegan, a homeless man, forlornly sitting outside a diner in Sparks, Nevada. Sydney offers John a cigarette and buys him a cup of coffee. John tells Sydney that he went bust in Las Vegas and needs $6,000 for his mother's funeral. They travel to Vegas, where Sydney helps John win the money. Two years later, John becomes Sydney's protégé. Calm and reserved, Sydney displays a fatherly care for John, who is unsophisticated. John has a new friend named Jimmy, who does security work, and is attracted to Clementine, a cocktail waitress in Reno. Sydney meets Clementine and learns that she moonlights as a prostitute. Although Clementine believes Sydney might want to use her services, he wants to build a connection between her and John. Sydney asks John to show Clementine around town. After receiving a frantic phone call, Sydney finds John and Clementine holding an unconscious tourist hostage in a nearby motel because he did not pay Clementine for sex. He learns that John and Clementine have called the hostage's wife, threatening to kill him if they do not get the money. After finding Jimmy's gun, Sydney convinces John and Clementine to flee the motel, advising them to leave town for a honeymoon as they have recently been impulsively married. While leaving, Sydney removes the evidence from the motel room. Sydney meets with Jimmy, who tells him that the couple did not call the police. However, Jimmy explains that he has heard stories of Sydney killing John's father in Atlantic City. Jimmy pulls a gun on Sydney and threatens to tell John unless Sydney gives him $10,000. Sydney says that he does not have it, but he can give $6,000 cash. They go to Jimmy's suite and down to the casino floor, where Sydney gets the money from the cashier and gives it to Jimmy. John calls Sydney from a roadside phone to update him on the honeymoon. During the call, Sydney tells John that he loves him like a son. After hearing that, John thanks him and says that he also loves him. Sydney sneaks into Jimmy's house, kills him and retrieves the money. The next day, Sydney returns to the diner where he met John and covers his bloodstained shirt cuff with a jacket sleeve. Cast
Some of Anderson's collaborative actors appear in the film, including Philip Seymour Hoffman as a craps player and Melora Walters as Jimmy's girlfriend. ProductionOriginally titled Sydney, it was Anderson's first feature film and the expansion of the short film Cigarettes & Coffee.[4][5] The main character Sydney was named after Hall's previous role in Midnight Run. Hall, Walters, Reilly and Hoffman later starred in Boogie Nights and Magnolia. Anderson said that he cast Hoffman in a supporting role after seeing him in Scent of a Woman.[6] According to Hall, Hoffman improvised most of the dialogue his character says in his only scene in the film.[7] ReleaseThe film premiered in the Un Certain Regard section at the 1996 Cannes Film Festival.[8] In 2018, Anderson said he was working on a Blu-ray release of the film.[9] An Australian Blu-ray for the film was released by Viavision in October 2020.[10] ReceptionRoger Ebert gave the film three and a half stars out of four, writing "Movies like Hard Eight remind me of what original, compelling characters the movies can sometimes give us."[11] Stephen Holden of The New York Times wrote "Hard Eight is not a movie that wants to make a grand statement. It is really little more than a small resonant mood piece whose hard-bitten characters are difficult to like. But within its self-imposed limitations, it accomplishes most of what it sets out to do. And the acting is wonderfully understated, economical and unsentimental."[12] On Rotten Tomatoes, the film has an approval rating of 82% based on 49 reviews, with an average rating of 6.9/10. The website's critical consensus reads, "An absorbing showcase for Philip Baker Hall, Paul Thomas Anderson's feature debut is a gamble that pays off handsomely."[13] It is described by some authors as a neo-noir film.[14] See alsoReferences
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