Gyo Fujikawa
Gyo Fujikawa (November 3, 1908 – November 26, 1998) was an American illustrator and children's book writer. A prolific creator of more than 50 books for children, her work is regularly in reprint and has been translated into 17 languages and published in 22 countries. Her most popular books, Babies and Baby Animals, have sold over 1.7 million copies in the U.S.[2] Fujikawa is recognized for being the earliest mainstream illustrator of picture books to include children of many races in her work, before it became common to do so.[3][4][5] BiographyGyo Fujikawa was born in Berkeley, California, to Japanese parents, Hikozō and Yūko Fujikawa (藤川幽子).[1] The masculine name Gyo (pronounced "gyoh") is after a Chinese emperor her father admired. Gyo Fujikawa moved to Los Angeles to attend Chouinard Art Institute in 1926, having received a scholarship, and befriended Japanese dancer Michio Ito and many fellow Nisei writers and artists.[6] After graduating and spending a year in Japan, she was on the Chouinard faculty from 1933-1937.[6][7] She worked for the Walt Disney Company in California as a promotional artist, before moving to New York in 1941. Fujikawa avoided the forced internment of West Coast Japanese and Japanese Americans during World War II as she was living in New York at the time. Her family, however, spent the war in the internment camp at Rohwer, Arkansas.[6] From 1943–51, she worked for pharmaceutical advertising agency William Douglas McAdams. In 1951 Fujikawa became a full-time freelancer, producing more than 80 front-cover illustrations for Children's Digest and other periodicals, and about five years later was approached by juvenile editor Debra Dorfman at Grosset & Dunlap to illustrate Robert Louis Stevenson's "A Child's Garden of Verses". This was her first published children's book, in 1957. Babies, the first book both written and illustrated by Fujikawa in 1963, was also one of the earliest children's books to use multiracial characters, a consistent feature across her body of work. After the success of A Child's Garden of Verses, Fujikawa became one of the first artists to contract for royalty payments, refusing to perform work unless her publisher agreed to pay her royalties.[8] Fujikawa's books have been reprinted for mass-market and published worldwide. Her most popular books, Babies, Baby Animals, A to Z Picture Book and Oh!, What A Busy Day!, unfailingly represent a happy, detailed version of childhood. Her joyous illustrations remain sweet and nostalgic, without ever becoming overly saccharine. Her paintings of children are recognizable for round happy faces, rosy cheeks and simple dot eyes. Discussing her respect for her audience, she said:
Fujikawa died on November 26, 1998, in New York Hospital. Although she was engaged at 19, she never married.[9] Other workFujikawa's notable commercial clients included Upjohn Company vitamins, Beech-Nut baby food and Eskimo Pie, creating the round-faced child icon for the ice cream treat.[3] She created six stamps for the United States Post Office, including the 1997 32¢ "yellow rose" self-adhesive stamp and the United States-Japan Treaty ratification centenary stamp of 1960.[9] Fujikawa was a life member of the Society of Illustrators.[10]
In popular culturePlaywright Lloyd Suh scripted a one-act play imagining a dialogue between Walt Disney and Fujikawa titled Disney and Fujikawa. It was performed at the Ensemble Studio Theatre in New York City in 2017 and was reviewed by the New York Times.[11] In 2019 Penguin Random House published a book written by Kyo Maclear and illustrated by Julie Morstad about Fujikawa called It Began With a Page. This book was one of New York Public Library’s Best Books for Kids 2019,[12] the Globe and Mail's 100 Books That Shaped 2019,[13] the Chicago Public Library's Chicago Best of the Best Books of 2019 under Best Informational Books for Younger Readers[14] and one of Kirkus Reviews' Best of 2019 Picture Books (Biography).[15] It was also featured on Today's "24 beautiful kids’ books that reflect the Asian American experience.”[16] BibliographyWritten and illustrated by Gyo Fujikawa
Illustrated by Gyo Fujikawa
References
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