Zachary Gordon (2010–2012) Nathaniel Marten (2010, cameo as an adult in a flash-forward) Dylan Bell (2010, cameo as a kindergartener in a flashback) Jason Drucker (2017) Patrick Scott McDermott/Huxley Westemeier (Diary of a Wimpy Kid: The Musical)[2][3][4][5][6]
Voiced by
L.J. Bennet (singing voice for live action 2010 film) Brady Noon (CGI film series, 2021–2022)[7][8][9] Wesley Kimmel (CGI film series, 2023–present)
Greg was originally conceptualized in early 1998, after creator Jeff Kinney struggled to become a newspaper cartoonist.[12] In all of his appearances, Greg is portrayed as a self-righteous narcissist, who has little-to-no moral compass, is only looking out for himself, and has an obsession with becoming rich and famous. He steals, lies, cheats, and is a bully to the few less popular than him at Westmore Middle School.[13] Greg is obsessed with his social status, but is bullied by the bigger students at his school and his older teenage brother, Rodrick. He often mistreats his best and only friend, Rowley, for being wimpy and socially inept, despite Rowley having a happy family and life. Greg receives bad grades in school, is addicted to video games, especially the fictional Twisted Wizard, and loves junk food. Despite these negative traits, he does show humanity, sensitivity, and care for those he loves.[14][15][16]
Because of these qualities, internet users began to question if Greg was a sociopath. Jeff Kinney stated:[17]
Greg is recording his life at a time when he shouldn't be recording. It's right when he's not a fully formed person, and I think that people that give Greg a label are sort of missing the joke. Right off the bat, Greg says, "One day when I'm rich and famous, I won't have time to answer people's stupid questions." Whatever that is – I'm not sure how you label that – it's misguided. It's a little bit cocksure. But I don't think it's anything worse than that.
Kinney, on separate occasions, has also clarified that Greg is supposed to represent an average and normal selfish middle schooler.[18] Kinney never intended to write books for children, which is why Greg is a complicated and flawed character.[19] Kinney has also denied the sociopath theories stating he always saw Greg as an "accurate kid" and people who give him that distinction are "missing the joke".[20][21]
Due to Greg's narcissistic and selfish traits, some parents began to question if Greg was a negative influence on kids.[24][18] In 2008, Aish called the character "totally diabolical" and that parents should avoid the series at all costs.[25] In Texas in October 2018, Greg's bad morals and pessimistic world view challenged the book to be banned.[26] Tidy Books wrote that Greg never learned from his lessons and rarely gets punished or gives sincere apologies, and that the writing is too subtle for kids to realize that he is doing the wrong thing and is an unreliable narrator.[27] Some, such as reviewer Declan Rowles, have criticized the disapproval against the character, stating that the series doesn't glorify Greg's behavior and the majority of children understand that.[28]
His film counterpart was given similar reception as Rotten Tomatoes has said that Greg is an "unlikable protagonist".[29]Margaret Pomeranz disliked the character of Greg Heffley, saying "I really thought he was unpleasant. I did not want to spend time with him. I couldn't wait for the end of this film."[30] However, reception to the character improved since the first film and in her review of the Dog Days film, Abby West of Entertainment Weekly wrote that "though often self-centered and conniving, Greg remains a likeable kid".[31]
Greg's character has also garnered widespread acclaim for his relatability and anti-hero status.[32]
In a review, Sebastian Hall for Cherwell remarked that Greg embodied the disillusionment and irony characteristic of modern comic heroes. Hall argued that Greg's self-delusion and hubris, such as his attempts to belittle Rowley Jefferson or his misguided pursuit of popularity, is central to the series' humor. He compares Greg's struggles with contemporary issues, like technology clashes and commercialism, to literary figures like Adrian Mole and Gordon Comstock, portraying him as a voice of modern frustrations.[33]
Notes
^This was a predecessor to the original book, published on Funbrain.[1]
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