Gorbunov and Gorchakov
Gorbunov and Gorchakov (Russian: Горбунóв и Горчакóв) is a poem by Russian and English poet, essayist, dramatist Joseph Brodsky. Composition and plotGorbunov and Gorchakov is a forty-page long poem.[1]: 212 Gorbunov and Gorchakov are patients in a mental asylum near Leningrad.[2]: 26 The poem consists of lengthy conversations between these two patients in the Soviet psychiatric prison as well as between each of them separately and the interrogating psychiatrists.[1]: 212 The topics vary from the taste of the cabbage served for supper to the meaning of life and Russia's destiny.[1]: 212 In Sanna Turoma’s words, the psychiatric hospital of Gorbunov and Gorchakov as a metaphor of the Soviet State is one example of Brodsky’s perception of the Kafkaesque absurdity of Soviet surreality.[3]: 105 Gorbunov and Gorchakov mirrors the balance that Brodsky struck when he was compelled to weigh the benefits and dangers of psychiatric diagnosis in his dealings with the Soviet state.[4] In the poem, fourteen cantos are named in a such way that the table of contents in Russian language has the rhyming structure of the sonnet:[5]: 95
HistoryAt the very end of 1963, Brodsky was committed for observation to the Kashchenko psychiatric hospital in Moscow where he stayed for several days.[5]: 91 A few weeks later, his second hospitalization took place: on 13 February he was arrested in Leningrad and on 18 February the Dzerzhinsky District Court sent him for psychiatric examination to ‘Pryazhka’ (Psychiatric Hospital No. 2[6] located on the Pryazhka River Embankment ) where he spent about three weeks, from 18 February to 13 March.[5]: 91 These two stints in psychiatric establishments formed the experience underlying Gorbunov and Gorchakov called by Brodsky ‘an extremely serious work.’.[5]: 90 The poem was written between 1965 and 1968 and published in 1970.[7]: 25 TranslationsThere are several English translations of the poem including one by Carl Ray Proffer with Assya Kumesky,[8] one by Harry Thomas[1]: 212 and one by Alan Myers. References
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