He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter.
Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell'Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.
It is believed that he collaborated with other painters such as Francesco Caldei who added still life elements or animals in his compositions. An example is the pair of allegories of Touch and Smell (private collection) in which Caldei painted the flowers in an urn and Carpioni painted the rest.[1]