Ghostlights scored the highest positions of any Avantasia release in several international music charts and marks the second time Avantasia has entered the US Billboard 200 albums chart.[6]
The plot of the album concludes the story started on The Mystery of Time. Musically, it shows a darker and more theatrical tone than its predecessor, which Sammet claims to have been spontaneous, not planned.[7][8][9]
Background and concept
In 2014, Tobias Sammet stated that The Mystery of Time hinted at a sequel and the details to that sequel were announced in November 2015.[3][10]
Unlike The Wicked Trilogy, which spawned three different albums, Ghostlights concludes the plot started on the previous album.[7] The story follows the protagonist as he continues his journey with a group of scientists willing to find a way to align everybody's personality so they can understand each other and make the world a better place. Soon, the protagonist realizes aligning people is also a way of having control over them.[9] Each song of the album represents a different station of the protagonist's journey. As Sammet explains, "It's a journey where he is looking for answers for some questions about his own existence and that leaves its mark on his philosophical worldview as well. Those twelve songs represent key moments on this journey and then it's done." He left an open ending "so that people can think about the things that happen in the story. You should be able to interpret it for yourself in the end."[7]
[...] the whole concept of this album deals with questionable ideals you have in life. It depends on which philosophy of life you have. Such ideals can be very different from each other. And it's about distractions to find cross-fires on the way to find out what you really want from life.
Song information
The opening track and single "Mystery of a Blood Red Rose" was intended to have Meat Loaf as a lead singer, and his management was initially positive about having him perform on the album, but for unknown reasons they ultimately declined.[7][11]
Describing the second and longest track "Let the Storm Descend Upon You", one of the last to be written for the album, Sammet commented:[8]
[...] it's a big sounding arrangement with a lot of things that do not make sense according to the book of rules on how to compose a song. It's not very reasonable to start a song with a one minute intro, and then do a second overture, and have the first chorus after three-and-a-half minutes, but I don't think you perceive it as something that doesn't make sense. The whole song just developed.
After "The Haunting" had been written, Sammet was thinking of who could be the guest singer for it, and it had to be someone "who would be both theatrical actor, but at the same time dramatic vocalist and the song was very very eery [sic]. And I imagined somebody who should sound like a crossing between something very flamboyant and the Child Catcher in Chitty Chitty Bang Bang". He thought of Dee Snider after exploring his record collection,[8] though he considered him a non-obvious choice due to the song being very different from "We're Not Gonna Take It" and "I Wanna Rock".[11]
Sammet describes the early version of "Seduction of Decay" as "an epic heavy metal version of 'Black Dog'" meant for a singer like the young Robert Plant. The song also reminded him of Rage for Order-era Queensrÿche, so he decided to invite Geoff Tate, who accepted.[8]
Sammet compares the track "Draconian Love" to The Metal Opera's "Avantasia" and The Wicked Symphony's "Dying for an Angel". Herbie Langhans, who guest performs as co-lead singer, sung his parts an octave lower than Sammet at Sascha Paeth's suggestion, so that their voices sound more different from each other. Sammet acknowledges that the result has been labeled "gothic" by some.[7]
The reviewer for the Myglobalmind Online Magazine wrote that Ghostlights was heavier, more mysterious and darker than the previous album The Mystery of Time. He also lauded the sound production and arrangements by Sasha Paeth which underlined singer Tobias Sammet's vocals.[12] A review by the AntiHero Magazine found that the album was one of Avantasia's "strongest releases to date" and that it featured the darkest atmosphere Sammet had created so far.[13] The German edition of Metal Hammer lauded the homogenous songwriting and wrote that Ghostlights came partially close to Avantasia's early releases like The Metal Opera Part I and II as well as early Edguy albums. The Sonic Seducer's reviewer wrote that the album had "no musical limits" and that all guest singers harmonized well with Sammet's vocals.[16]
The Deluxe Edition Book of the album includes the two CDs of the Digibook edition, a third CD with instrumental versions of all the tracks (except the bonus one) and a 68-page photo book.[1]
^"Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select 05.Týden 2016 on the field besides the words "CZ – ALBUMS – TOP 100" to retrieve the correct chart. Retrieved 10 February 2016.
