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Gamera 3: Revenge of Iris
Gamera 3: Revenge of Iris (ガメラ3 邪神〈イリス〉覚醒, Gamera Surī: Irisu Kakusei, lit. 'Gamera 3: Evil God Iris Awakens')[a] is a 1999 Japanese kaiju film directed by Shusuke Kaneko, with special effects by Shinji Higuchi. Produced by Daiei Film and distributed by Toho, the film is the 11th entry in the Gamera film series, as well as the third film in the franchise's Heisei period, serving as a sequel to the 1996 film Gamera 2: Attack of Legion.[4][5] The film stars Ai Maeda as Ayana Hirasaka, a young girl who forms a psychic bond with a parasitic creature known as Iris that feeds upon the hatred that she feels for the giant turtle monster Gamera, who had unwittingly killed Ayana's parents and cat. The film also features Shinobu Nakayama and Ayako Fujitani reprising their roles as Mayumi Nagamine and Asagi Kusanagi, respectively. Hirofumi Fukuzawa portrays Gamera, while Akira Ohashi, who played Gamera in the previous film, portrays Iris. Gamera 3: Revenge of Iris was screened at the 1999 Toronto International Film Festival, and received the Mainichi Film Concours award for Best Sound Recording in Japan. The film received generally positive reviews, with the film's special effects being lauded, and with many praising it as being one of the best entries in the Gamera film series. However its popularity and tragic plot especially the portrayal of Gamera to be an unintentional threat to humanity also caused downward effects on the franchise indirectly, resulting in the cancellations and commercial failure of sequels and subsequent projects including "G4" and "G5", Gamera the Brave, and several anime projects where the projects in the 2000s were aimed to restore Gamera as a gallant and endearing character,[6][7][8][9] taking 17 years for Kadokawa Corporation to produce a new installation, Gamera Rebirth in 2023. PlotThree years have passed since Gamera defeated Legion and the world is once again plagued by Gyaos, which have now evolved into Hyper Gyaos. Mayumi Nagamine, noted ornithologist, returns to aid the Japanese government in addressing this threat. A graveyard of Gamera fossils is found at the bottom of the sea. Shadowy government agents, occultist Mito Asakura and Kurata Shinya, are meanwhile working with a different agenda, with Asakura believing Gamera to be an evil spirit. A pair of enhanced Hyper Gyaos appear in Tokyo's Shibuya district, but are opposed by Gamera. During the ensuing battle, Gamera attacks the Gyaos with little regard for humans, killing 20,000 people in the process and causing the Japanese government to order Gamera's immediate destruction. Meanwhile, a young girl named Ayana, whose parents were inadvertently killed by Gamera during his previous battle with Super Gyaos in 1995, discovers a stone egg sealed within her village temple. The egg hatches a tentacled mutant creature, whom the girl names "Iris" after her deceased pet cat. Iris forms a link with Ayana through an orichalcum amulet and becomes the focus of Ayana's quest for revenge as she seeks to raise her own monster and take vengeance against Gamera. Iris, however, attempts to absorb Ayana in the process of his growth. Ayana's classmate Tatsunari Moribe manages to free her from Iris's cocoon, but he leaves his lair and kills half of the village's populace, subsequently growing into his adult form. The JGSDF attempts to destroy Iris, but fails. Iris flies toward the city of Kyoto, where Ayana has been taken by Asakura and Kurata, with Asakura deliberately trying to use Ayana to summon Iris. While en route, Iris attempts to kill two pilots of the JASDF, but is intercepted in mid-flight by Gamera and the two engage in an aerial battle. The pilots force Gamera to descend with a tactical missile strike, inadvertently allowing Iris to escape. Nagamine and Asagi Kusanagi, the girl once psychically linked with Gamera, retrieve Ayana and attempt unsuccessfully to get her out of Kyoto. Kurata speculates that Gamera was engineered as humanity's guardian, and as such is a "vessel" capable of being charged with humanity's collective "mana", and expresses a belief that therefore Iris had been deliberately created to defeat Gamera so the Gyaos (acting akin a planetary immune system) could wipe out the human race. Although they reject Kurata's misanthropy, Nagamine and Asagi think the mana theory explains from where Gamera got the energy he used to defeat Legion. Iris makes his way to Kyoto Station, but Gamera and Iris continue their fight until Iris impales Gamera, which destroys the station and killing Asakura and Kurata. Moribe manages to distract Iris, but Iris absorbs Ayana in the process. From within Iris's body, Ayana experiences the creature's memories and realizes that her hatred and bitterness have motivated him. Just as she has her epiphany, injured Gamera plunges his hand deep into Iris' chest and wrenches Ayana free, robbing Iris of his human merge. Nagamine, Asagi and Moribe, trapped within the station's wreckage, watch helplessly as Iris impales Gamera's hand and begins to syphon his blood, creating fireballs after processing his DNA. Gamera blasts off his injured arm and absorbs Iris's fireballs, forming a fiery plasma fist, which he drives into Iris, causing Iris explodes. The comatose Ayana still clutched in his fist, Gamera sets Ayana down where Nagamine, Asagi and Moribe are hiding. The women are unable to revive her, but Gamera awakes Ayana with his roar, leaving her wondering why he would save her life after all that she had done. A swarm of Hyper Gyaos begins to descend on Japan intent on destroying their greatest foe once and for all. Military leaders finally realize that Gamera is on the side of humanity and pledge to fight the Gyaos horde alongside him. Asagi says that, although she no longer shares a psychic link with Gamera, she knows he will not back down and will fight to the end. As the swarm approaches, Gamera lets out a final roar of defiance as he stands his ground in the center of Kyoto. Cast
Production Its production was delayed and the film plot was intentionally designed as a horror because of box office results of 1995 and 1996 films, declined popularity of kaiju genre, and contrasting popularity of horror films among children at that time where especially Ring and Ghosts at School and Honto ni atta kowai hanashi franchises had influences on Gamera 3: Revenge of Iris.[10] Many members of the crew who worked on Gamera 3: Revenge of Iris had previous work in the Gamera film series. Director Shusuke Kaneko directed both Gamera the Guardian of the Universe (1995) and Gamera 2: Attack of Legion (1996).[11] Gamera 3 marks the first Gamera film that Kaneko had screenwriting credits on as he co-wrote the film with Kazunori Ito who had previously written the previous two 1990s Gamera films.[4][5][12] The music composer Kow Otani and special effects director Shinji Higuchi was also a regular with the series, previously working on both films.[1][13][14] The final draft of the film included several references to previous non-Gamera films by Daiei Film such as the 1962 Daiel film Killer Whale (Whale God) where a scene for Gamera to encounter a pair of North Pacific right whales was planned.[7] The plot for Gamera to sacrifice his right arm was inspired by the 1972 film One-Armed Boxer.[15] ReleaseGamera 3: Revenge of Iris was released in Japan on March 6, 1999.[16] The film grossed over $15,000,000 on its release.[2] The film had its North American premiere at G-Fest in 1999 and was also shown at the 1999 Toronto Film Festival.[17][18][19] The film did not have a wide release in North America and was released direct-to-video on DVD on June 10, 2003, by ADV Films.[5][20] The film was released on Blu-ray by Mill Creek Entertainment on September 27, 2011.[20] Gamera 3: Revenge of Iris was followed up by Gamera the Brave directed by Ryuta Tasaki in 2006.[21] The film's plot ignores the events of the three films directed by Kaneko.[21] ReceptionAccording to A.D. Vision in 2000, the film was "hailed by fans and critics alike as the greatest giant monster film ever made".[22] In Japan, Gamera 3: Revenge of Iris won the award for Best Sound Recording at the 54th Mainichi Film Concours ceremony.[23] Western reviewers praised the film as one of the best in the Gamera series, commenting on the special effects in the film. Variety stated the film was "somewhat more elaborate" and "grittier and hipper" than Gamera the Guardian of the Universe (1995) and Gamera 2: Attack of Legion (1996) as well stating that the monster Gamera appeared "more threatening".[2] Variety also described the special effects in the film as "good by model/miniature/animated standards" but felt that were not up to the standards of American special effects.[2] The San Francisco Chronicle felt the film's plot was similar to an episode of The X-Files and praised the special effects in the film opining that "The special effects are terrific, although the monsters still look like guys in rubber suits. Fans of the genre wouldn't have it any other way."[24] Film critic Tom Mes referred to the film as the best Gamera film to date, opining that the film "delivers everything a movie about huge, fighting, city-stomping monsters should have: excitement, slam-bang action sequences, beautifully designed creatures, and yes, even stunning special effects"[25][26] Time felt that the film was stronger than Gamera 2: Attack of Legion, stating the film is stronger "because it has much less Gamera; there's only so much character richness, let alone fun, to be found in shell, teeth, eyes, claws, scales, etc. But the movie has thrills for those who need 'em. Toward the end, a young scientist faces Iris and his doom and, a moment before he dies, screams like a cheerleader at his own immolation: "Oh boy, is this scary? Yes!" I second that notion."[27] LegacyContinuation of the series after Gamera 3: Revenge of Iris was cancelled as above-mentioned, however the plot of the scrapped "G4" was later re-used for the 2003 independent film, GAMERA 4-TRUTH by Shinpei Hayashiya.[6][7][28] In 2023, critically-acclaimed filmmaker Takashi Yamazaki stated that Godzilla's destruction in his film Godzilla Minus One are inspired by Shinji Higuchi's special effects from Gamera 3: Revenge of Iris.[29] That same year, Gamera 3 director Shusuke Kaneko revealed his plans to make a new Gamera film at a screening of his film Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001), which he attended with Yamazaki.[30] Kaneko joked that "Maybe Gamera will attack Pearl Harbor"; Yamazaki responded to Kaneko by saying "I want to see Gamera 4. If you call me, I'll help you out a bit!".[30] See also
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External links Wikiquote has quotations related to Gamera 3: Revenge of Iris.
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