Gajah Gallery is an art gallery in Singapore that hosts artwork related to the socio-cultural interests of Asia.[1][2] It was established in 1995 by Jasdeep Sandhu and promotes Southeast Asian Contemporary Art with an emphasis on Indonesian Contemporary. The gallery holds exhibitions, some of which have been collaborations with the Singapore Art Museum (SAM) and the National University of Singapore Museum (NUS).[3] Gajah Gallery is also a member of Art Galleries Association in Singapore.
The MICA building, formerly known as the Old Hill Street Police Station, was erected in 1934 to house the Hill Street Police Station and Barracks, and was gazetted as a national monument in 1998 and transformed into premises for MICA.[4]
In 2015, Gajah Gallery moved to an even bigger space located at Tanjong Pagar Distripark. The new space features white walls over 18 ft high and 4500 sqft of floor space. It is situated in a fully operational shipping warehouse on the historic port of Tanjong Pagar.
Following that, Gajah Gallery also opened up a second space in Indonesia's arts capital, Yogyakarta. Yogya Art Lab (YAL) is an experimental platform for prominent and emerging artists to come together to produce works across various mediums such as paper, sculpture, performance and digital visual production. As for now, the lab has collaborated with established artists like Yunizar and Ashley Bickerton in producing some of their finest bronze and aluminium sculptures respectively.[5]
Collections and exhibitions
Gajah Gallery focuses on displaying contemporary Southeast Asian art from the region, including art from Singapore.[1][6] The Gallery exclusively represents six of the leading Indonesian contemporary artists, Nyoman Masriadi,[7] Rudi Mantofani,[8] Yunizar,[9] Handiwirman Sahputra, Yusra Martunus and Jumaldi Alfi. This limited scope ensures that the Gallery[1] fulfill's their primary mission which is to gain representation for the artist before increasing their stable of artists.
Year
Exhibition
Artist
Country
Venue
1996
A celebration of Culture
Truong Dinh Hao, U Aung Soe, Wayan Paramartha, Surachet Kaewchamras
Vietnam, Indonesia, Thailand
Alliance Francaise (Singapore)
1997
Illusion Myth and Reality
Entang Wiharso and Nasirun
Indonesia
Gajah Gallery
1998
Bleeding in the Sun
Gorbadhan Ash
India
Gajah Gallery
1998
Mystical Monsters in Contemporary Society
Heri Dono
Indonesia
The American Club (Singapore)
1999
Myths and Mystic
I Made Djirna and Wayan Paramartha
Indonesia
Gajah Gallery
1999
Waiting for Nothing
Vasan Sitthiket
Thailand
Gajah Gallery
2000
Between Abstract and Figurative
Sporean artists including Thomas Yeo, Koh Sia Yong, Tang Da Wu
Singapore
Gajah Gallery
2000
Sau
Dinh Quan, Bui Huu Hung, Phan Cam Thuong, Bang Sy Truc, Hong Viet Dung, Nguyen Thanh Binh
Vietnamese
Gajah Gallery
2000
Heart of Yogya
Nasirun and Pupuk Daru Purnomo
Indonesia
Gajah Gallery
2000
In Full Bloom
Olga Polunin
Singapore
Gajah Gallery
2000
Rustic Charm
Chandra Bhattacharjee, Gautam Basu
India
Gajah Gallery
2001
Unbound Linearity
Jogen Chowdhury
India
Gajah Gallery
2001
Vietnamese Affair
Dinh Quan, Bang Sy Truc, Dao Ha Phong, Le Thiet Cuong, Quach Dong Phuong, Nguyen Quoc Hoi, Nguyen Xuan Tiep
Intersections: Latin American and Southeast Asian Contemporary Art
Ahmad Zakii Anwar, Handiwirman Saputra, Putu Sutawijaya, Ugo Untoro, Yunizar, Adonis Flores, Douglas Arguelles, Ivan Capote, Yoan Capote and Maykel Linares
Indonesia
Sangkring Art Space, Yogyakarta
2014
Yunizar Solo Exhibition
Yunizar
Singapore
Gajah Gallery
2014
Trajectories
Ashley Bickerton, Ahmad Zakii Anwar, Mangu Putra, Yunizar, Yusra Martunus, Putu Sutawijaya, Jumaldi Alfi, Handiwirman Saputra and Ugo Untoro
Gajah Gallery Grand Opening at Tanjong Pagar Distripark
Ashley Bickerton, Yunizar, Kumari Nahappan, Ugo Untoro, Li Jin, Yusra Martunus, Sabri Idrus, Ahmad Zakii Anwar, R.Yuki Agiardi, Teng Nee Cheong, Suzann Victor, Wei Ligang, Wang Tiande, Gu Wenda, Chua Ek Kay, Ho Ho Ying and Ng Joon Kiat
Ahmad Zakii Anwar, Ashley Bickerton, Jason Lim, Kumari Nahappan, Li Jin, Mangu Putra, Rudi Mantofani, Sabri Idrus, Suzann Victor, Wei Ligang, Yunizar
Hong Kong
Convention and Exhibition Centre
2017
Supernatural
Chong Weixin, Jason Lim, Lavender Chang, Maxine Chionh, Melissa Tan, Robert Zhao, Ruben Pang, Zen Teh, Sarah Choo Jing, Warren Khong, Kumari Nahappan, Ng Joon Kiat, Suzann Victor, Ian Woo and Adeline Kueh
Gajah Gallery contributes to research into Southeast Asian art.[1] The gallery consistently exhibits in various local and international art fairs such as Art Basel Hong Kong, Art Stage Singapore, Art Stage Jakarta, Art Fair Philippines, Art Fair Tokyo, India Art Fair (formerly known as the India Art Summit) and Art021 Shanghai. The artists that they represent not only gain valuable exposure, but the fairs serve as a platform through which ideas are exchanged and better ties are built with other exhibitors.
Publications
Commemorative postcard set
A set of 15 postcards were designed as a commemorative piece for the gallery's 15th year anniversary celebration. The set is a compilation of work by Ahmad Zakii Anwar, J. Ariadhitya Pramuhendra,[11] Jumaldi Alfi, M. Irfan, Mangu Putra, Nyoman Masriadi, Rudi Mantofani,[8] Teng Nee Cheong and Yunizar.[9]
Nyoman Masriadi, Reconfiguring the Body
Nyoman Masriadi's work Reconfiguring the Body offers a review of Nyoman Masriadi's works, his life and inspirations – through the words of art critics, TK Sabapathy and Goenawan Mohamed. Masriadi is Southeast Asia's most well-received contemporary artist.[12]
Nyoman Masriadi- Reconfiguring the Body Book Cover
The visual imagery and narratives in his paintings are derived from observation of social life. Reactive against formalism, his early works show him sparring with Western modernism in the guise of cubism but meshing it with caricature, the cutting street language Indonesians use and graffiti. The wit and humor embodied in his works are shaped by the computer game culture that he grew up with. He overdraws finished paintings with a marker.
Nee Cheong, Those The Gods Love Grow Mightier
Teng Nee Cheong's book Those the Gods Love Grow Mightier offers an insight on the life, works and thoughts of renowned Singaporean artist Teng Nee Cheong that span a period of 40 years. Art critic TK Sabapathy, art curators Low Sze Wee and Lindy Poh, as well as Jasdeep Sandhu, Suteja Neka and Teng Nee Cheong himself, have provided a commentary, uncovering the artist's works, as well as inspirations that have influenced him.
Nee Cheong's works encapsulate the influences of culture and traditions around Asia by using symbols of Balinese mythology, Hinduism, and Buddhism.
Seeing Paintings: Conversations Before the End of History
Seeing Paintings: Conversations Before the End of History highlights the development of painting in Indonesia over the past 70 years, from the late 30s – 40s to the late 90s – 2000, and the historical contributions by both artists and writers to painting in Indonesia. The artists included in the publication, such as Affandi, Oesman Effendi, Djoko Pekik, Lucia Hartini, Made Djirna, Mangu Putra and Yunizar, have contributed significantly to the field of history and are presented in a comparative framework. The publication shows the history of Indonesian art as a mode of discourse that consists of an intricate journey due to the process of acculturation and enculturation in the form of vocabulary, speech, criticism, polemics, writings, doctrine, bureaucracy, schools, social institutions, and so on.
Mangu Putra, Between History and Quotidian
Mangu Putra: Between History & the Quotidian introduces the artist's efforts to re-examine historic archival footage of the Dutch colonisation in Bali in the early to mid 1900s and to draw together visual and verbal narratives to stage an untold account of history. With essays from art historian Adrian Vickers and curator Jim Supangkat, the publication explores how Putra re-imagines historic scenes, changing the emphasis by placing the Balinese people at the center, and shifts his attention towards the degradation of the natural world and the neglect of those who made Indonesia, as part of a search for spiritual meaning.
Semsar Siahaan, Art, Liberation
Semsar Siahaan: Art, Liberation is the most extensive printed publication on the late Indonesian artist Semsar Siahaan – a seminal figure of the progressive movement in Indonesia, who tirelessly campaigned and used his art as a tool to advocate social justice. Art critics TK Sabapathy, Astri Wright and Aminudin TH Siregar discuss Siahaan's emergence and his art in relation to prevailing sociopolitical conditions. They propose perspectives for relooking at the often-overlooked artist, appraising him historically and projecting him with fresh impetus for critical attention, presently.
