Francis Dhomont (2 November 1926 – 28 December 2023) was a French composer, a pioneer of electroacoustic and acousmatic music who worked and taught both in France and in Québec.
Biography
Born in Paris on 2 November 1926,[1] Dhomont studied composition with Ginette Waldmeier, Charles Koechlin and Nadia Boulanger.[2][3] In compositions for instruments and voices from 1944 to 1963, he tried to "reconcile modality and atonality".[1]
In 1963 he decided to dedicate his time to electroacoustic composition utilising natural sounds.[2] Public performances of his music are done using the French "diffusion" technique over multiple loudspeakers. His work consists exclusively of tape pieces using natural, or "found" sounds, exploring morphological interplay and the ambiguities between sound and the images it may create. He presented his compositions in France and abroad.[3]
Dhomont's work won international awards including at the Bourges International Electroacoustic Music Competition (France), the Magisterium Prize in 1988, Prix Ars Electronica in 1992 (Linz, Austria). In 1997, as the winner of the Canada Council for the Arts' Lynch-Staunton Prize, he was supported by the DAAD Artists-in-Berlin Program for a residence in Berlin. He was awarded a career grant by the Conseil des arts et des lettres du Québec.[3]
Dhomont was the editor of several electroacoustic music journals. He produced radio programs for Radio-Canada and Radio France,[1] and participated in juries of competitions.[3]
Dhomont published many articles on esthetic topics, influencing philosophical debates on the evolution of electroacoustic music.[1]
Dhomont, Francis. "L'écriture acousmatique: Rappels et questionnements". eContact! 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l'œuvre électroacoustique (August 2010). Montréal: CEC.
_____. 2008. "Abstraction et figuration dans ma musique / Abstraktion und Gegenständlichkeit in meiner Musik" (French/German). Komposition und Musikwissenschaft im Dialog VI, edited by Marcus Erbe and Christoph von Blumröder. Vienna: Verlag Der Apfel, 2008. pp. 134–167. Available online in eContact! 11.2 — Figures canadiennes (2) / Canadian Figures (2) (July 2009). Montréal: CEC.
_____. "In akusmatischer Nacht: Elektroakustische Proust-Bilder franko-kanadischer Komponisten im poetologischen Kontext der Musique acousmatique." Marcel Proust und die Musik: Beiträge des Symposions der Marcel Proust Gesellschaft in Wien im November 2009. edited by Albert Gier. Berlin: Insel Verlag, 2012. pp. 233–284. ISBN978-3-458-17459-2
_____. "Mythen der elektroakustischen 'Revolution': Aktuelle Geschichtskonstruktionen einer Musik ohne Vergangenheit." Vorzeitbelebung: Vergangenheits- und Gegenwarts-Reflexionen in der Musik heute, edited by Jörn Peter Hiekel. Hofheim: Wolke Verlag, 2010. pp. 107–139. ISBN978-3-936000-85-6