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Ezz El-Dine Zulficar
Ezz El-Dine Ahmed Mourad Zulficar (Egyptian Arabic: عز الدين ذو الفقار, romanized: ‘Ezz ed-Dīn Zū l-Fiqār; 28 October 1919 – 1 July 1963) was an Egyptian film director, screenwriter, actor and producer known for his distinctive style, which blends romance and action. Zulficar is widely regarded one of the most influential filmmakers in the golden age of Egyptian Cinema.[1][2][3] Born to a noble family, Zulficar initially graduated from the Egyptian Military College. He worked as a military officer in the Egyptian Armed Forces for eight years. After resigning from the military in 1947, he started his career as a filmmaker, he worked as an assistant director to director Mohamed Abdel Gawad in the films The World is Fine (1946), It Returned to its Rules (1946), Flowers and Thorns (1947). His directorial debut was Prisoner of the Shadows (1947). Zulficar's first successful film, Abu Zayd al-Hilali (1947), helped to shape the epic genre, and Khulood (1948) was a romantic hit. His crime film I'm The Past (1951) was a critical and financial success. By the early 1950s, Zulficar had local and regional recognition. A string of successful films followed, including Appointment with Life (1953), Date With Happiness (1955), I'm Going (1955), Dearer Than My Eyes (1955) shaped his own character and style as a filmmaker. In 1957, Zulficar made three films with political backgrounds, the first was Port-Said (1957) on the 1956 War, Return My Heart (1957) and The Road of Hope (1958) both were based on the 1952 Revolution. All of which are classics in the memory of the audience. Zulficar's other notable films include A Woman on the Road (1958), The Street of Love (1958), Among the Ruins (1959), The Second Man (1959), The River of Love (1960), The Black Candles (1962) and A Date at the Tower (1962), all of which were also financially successful and are highly regarded by film historians. He is a recipient of multiple film awards as a director and producer. Most notably the Order of the Republic in 1963 and the Order of Sciences and Arts, which was received posthumously in 2014.[4] Early lifeHe was born in Cairo on 28 October 1919, to a wealthy aristocratic family. His father Ahmed Mourad Bey Zulfikar, was a senior director of police. He was the fifth among eight siblings. His brother Mohamed who would grow up to be a businessman, Soad, Fekreya, Mahmoud, who would grow up to be a director and actor. They were followed by brothers Kamal, Salah, the famous actor and producer and finally Mamdouh who would grow up to be a businessman. Ezz Eldine's childhood shaped his personality, for he was attracted to sports in general, especially wrestling, swimming, and gymnastics in which he won some school championships. He was an avid reader and loved to listen to classical music. He was into buying every new record released in Egypt; a hobby he cherished until his death. Zulficar was introduced to the cinematic world at the age of nine when his elder brother Mahmoud took him to the cinema theatre to watch Egyptian and foreign films. His passion for cinema was evident when he would watch three films in a row. If he particularly liked one movie he would watch it several times. CareerZulficar was a prodigy. He received a scholarship and studied astronomy. After high school, he joined the Egyptian Military College to please his father, although Zulficar did not object to the idea itself, for he saw that learning military studies would widen his perceptions. During that period, he was acquainted with a number of prominent figures that shaped Egyptian politics later on, such as presidents Gamal Abdel Nasser and Anwar El Sadat, Yusuf Sibai and Tharwat Okasha and other members of the Free Officers Movement, who mounted the July 1952 Revolution. And later he was nominated twice for Minister of Culture position, but he turned down the state position. He graduated from the Egyptian Military College and later became a Captain in the Egyptian Armed Forces. Despite being a distinguished officer, a tragic event shook Zulficar to the core. His father, to whom he was very close, died. He suffered a depression and his brothers advised him to change his lifestyle and career. And indeed, he resigned with the rank of captain in the Artillery Corps to start a career in the movie business.[2][5] At that point, he remembered his strong friendship with director Kamal Selim and their cinematic discussions. Through Selim he got to know a number of coevals who became directors: Mohamed Abdel-Gawad, Salah Abu Seif, Kamel El-Telmissany and Fatin Abdel Wahab, who had just resigned from the Armed Forces and began working in cinema. He was influenced by his brother, Mahmoud Zulfikar, who was an actor, director, actor and screenwriter. He started as assistant director to Mohamed Abdel Gawad. He worked as assistant director in three films, The World Was Fine (1946), Then It Returned to Its Rules (1946), followed by Flowers and Thorns (1947). His first film as a director was Prisoner of the Shadows (1947). In 1947, he directed his first film, Prisoner of Darkness (أسير الظلام, “Aseer al-Zalam"). However, his first popular success was Abu Zayd al-Hilali (أبو زيد الهلالي, "Abu Zaid El-Helali") (1947), followed by the romantic film Khulood (خلود, "Kholoud") (1948). By the early 1950s, Zulficar had already been a prominent figure in the Egyptian film industry. His 1951 crime film I'm the Past (أنا الماضي, "Ana El-Maady") (1951) was both a huge critical and commercial success. One of his most successful movies as a director was Return My Heart (رُدّ قلبي, "Rod Qalby") (1957) which was featured for several weeks in Cairo's cinemas. Not to mention his masterpieces; The Second Man (الرجل الثاني, “Al Rajul Al Thani") (1959), and The River of Love (نهر الحب, “Nahr Al Hub" (1960) starring Omar Sharif.[6][7] In the late 1950s, he founded Ezz El-Dine Zulficar Films Company, a production company with this younger brother Salah Zulfikar, together they produced major films including The Second Man (الرجل الثاني, “Al Rajul Al Thani”) (1959), Among the Ruins (بين الأطلال, “Bain Al Atlal”) (1959) and Struggle of the Heroes (صراع الأبطال, “Sira’ Al Abtal”) (1962). Zulficar also acted in Khulud (خُلود, "Immortality") (1948) along with Hamama. As a writer he was quite successful, he wrote scripts and stories for almost 30 films. His last two ventures were the direction and scriptwriting for the films; A Date at the Tower (موعد في البُرج, "Maw'ed Fi al-Borg") (1962) with Salah Zulfikar and Soad Hosny in the leads, and Black Candles (الشموع السوداء, "Al-Shomou' Al-Sawdaa") (1962) with Saleh Selim and Nagat in the leads. Zulficar directed three films which were listed in Top 100 Egyptian films of the 20th century.[8] Personal lifeZulficar met Faten Hamama while filming the Abu Zayd al-Hilali (أبو زيد الهلالي, “Abuzeid al-Hilali”) (1947), which he directed. The two fell in love and married each other. The couple had a daughter, Nadia Zulficar. Their marriage would only last for seven years, as the couple divorced in 1954. The two remained friends, and Hamama even acted in his movies after the divorce.[9] Afterwards, he fell in love with the beautiful actress Kawthar Shafik. This love story resulted with marriage in 1954. The couple had one daughter, Dina Zulficar. They remained married until his death in 1963. DeathEzz El-Dine Zulficar died following an illness at the age of 43 on 1 July 1963 in Cairo, Egypt. Despite his young age, he left a great legacy in the history of Egyptian Cinema. Honours
Selected awardsEzz El-Dine Zulficar has received several awards throughout his career, including:
FilmographyDirector
Screenwriter
Producer
Actor
See alsoReferences
External links
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