The troupe still performs the work on occasion. It was last reprised for the 85th anniversary season in 2012.[2]
Title and theme
The title Every Soul Is a Circus is borrowed from a Vachel Lindsay poem:
Every soul is a circus
Every mind is a tent
Every heart is a sawdust ring
Where the circling race is spent.[3]
The ballet's theme is Everywoman's inner desire to be the center of attention and the ridiculous lengths to which she will go to attain that end. As Empress of the Arena, the lead female dancer imagines herself as the star of every act. In a vignette with the Ringmaster and Acrobat, she is the apex of a love triangle. In another scene, she performs a romantic duet as the Ringmaster's beloved.[4] But after taking her "star turn," she is ultimately humiliated by the Ringmaster.[5] The lone spectator, the empress' alter-ego, watches as the frenzy of the circus performance builds. The empress' movements and demeanor progress from childlike to flirtatious to addled. She is finally overcome with confusion, her actions becoming ever more undignified and absurd.[6]
Initial reception
When the ballet debuted, many audiences and critics were astonished to see Graham's wry, witty side.[7] Most of her dances were so serious, she had been dubbed "Mirthless Martha" by her musical director Louis Horst.[8] Reviewers described her performance in Every Soul is a Circus as "poignant clowning" having a "warmth of personality",[9] "frank and funny" and "belly-laugh provoking."[10]
Original cast
The original cast comprised the following nine performers:[4]