Ernesto Daranas Serrano was born in Havana on December 7, 1961.
His father, Manuel Ángel Daranas Valdés (1934-2000) was an actor, teacher and writer who gained national recognition as the author of the adventure radio series La flecha de cobre (The copper arrow), an audience success that was on the air for nearly a decade in the late 1960s and early 1970s.[7][8]
Ernesto Daranas' beginnings as a storyteller took place in the radio[9] while still a college student.[10][11] In 1983, he became a Bachelor in Geography at the Instituto Superior Pedagógico (now University of Educational Sciences).[12]
In the early 90's, Daranas achieved recognition for his radio soap operas addressing contemporary Cuban society in the context of the Special Period.[13]
His directorial debut in television was in 1999–2000 with La tierra más hermosa (The loveliest land), a series of 12 documentaries co-directed with Rolando Almirante.[14][15] The series explored various aspects of Cuban ethnography, culture, nature and history.
Subsequently, Daranas wrote and/or directed various films for television (see Filmography below) .
In 2004, he wrote and co-directed with Natasha Vázquez Los últimos gaiteiros de La Habana (The last bagpipers of Havana), a documentary about Eduardo Lorenzo, a nonagenarian Galician bagpiper who teaches young Cubans to play the instrument and returns to his native village in Spain after 50 years of absence.[16] This documentary won the Premio Internacional de Periodismo Rey de España (2004 edition), a prestigious Iberoamerican journalism award.[17]
Also in 2004, Daranas wrote and directed the telefilm ¿La vida en rosa?, a comedy about "the false barrier we sometimes raise between purportedly pure art and popular art".[15] It won the Grand Prize and other six awards at the First National Television Festival of Cuba.[14]
Los dioses rotos (Fallen gods) was Daranas' film directorial debut, in 2008. Daranas wrote a story, based on interviews he'd collected through the years,[18] about a university professor who gets involved in the underworld of prostitution and procuring. The film was made thanks to a fund for low budget projects[19] issued by the Ministry of Culture.[18] It was shot in a digital format and later filmed-out.[20]
Arguably, it was Behavior (Conducta), released in 2014, the film that garnered Daranas widespread international recognition.[9][11][28]
The film tells the story of Chala, an 11-year-old boy who supports his alcoholic and drug addict mother by breeding pigeons and training fighting dogs. When his loving teacher Carmela falls ill and is temporarily replaced by an inexperienced young teacher, Chala is dispatched to a school for children with behavioral problems.[29]
The film went on to be screened in many festivals around the world and won many accolades, including a Goya nomination.[33]
In 2017, Sergio and Sergei was released, a comedy set in Cuba in 1991, describing the vicissitudes in the friendship between a Cuban ham radio enthusiast and a Soviet cosmonaut, trapped in the Mir space station during the USSR collapse.
The film was a co-production between Cuba, Spain and the United States. At the time, the press called it the first Cuba-USA narrative co-production in over 50 years,[34][35] by virtue of the presence of actor Ron Perlman in the movie and his involvement in its distribution through his indie production company Wing and a Prayer Pictures.
In a poll conducted by Cinema Tropical (the New York-based non-profit media arts organization), both Behavior and Sergio and Sergei were included among the 100 most significant Latin-American films of the 2010-2019 decade.[38]
In 2019, Daranas directed the documentary Natalia, about the noted Cuban ethnographer and writer Natalia Bolívar Aróstegui.[39][40]
