Ernest Procter

Ernest Procter
Born	22 March 1885 Tynemouth, Northumberland, England
Died	21 October 1935 (aged 50) North Shields, County Durham, England
Nationality	English
Education	Forbes' School of Painting, Atelier Colarossi
Known for	Painter, illustrator
Movement	Newlyn School
Spouse	Dod Procter

Ernest Procter ARA (22 March 1885–21 October 1935) was an English designer, illustrator and painter, and husband of the famous British artist Dod Procter. He was actively involved with the Newlyn School, partner of the Harvey-Procter School and an instructor at the Glasgow School of Art.[1][2]

Personal life and education

Ernest Procter was born into a Quaker family in Tynemouth, Northumberland. His father, Henry Richardson Procter was an eminent scientist and a Leeds University professor who specialised in leather chemistry. He was also a Fellow of the Royal Society.[1][3] Edward painted his father's portrait.[1]

Procter, like his father, attended school first in York at the Quaker Bootham School.[4] From 1907 to 1910 he was a student of Stanhope Forbes at the Forbes' School of Painting in Newlyn, Cornwall. He contributed to the school's publication, The Paper Chase in 1908 and 1909, was an assistant to Stanhope and Elizabeth Forbes, and was a successful, well-respected student.[1][2] At Forbes' Procter met his future wife Doris "Dod" Shaw; They were "amongst the Forbes' star pupils."[2][3]

In 1910 and 1911 Procter studied in Paris at Atelier Colarossi. Dod Shaw was also a student at Atelier Colarossi. Ernest and Dod were both influenced by Impressionism and Post-Impressionism and the artists that they met in France, such as Pierre-Auguste Renoir and Paul Cézanne. In 1912 Procter married Dod at the church of Saint-Vincent-de-Paul, Paris.[1][2][5] They had a son together named Bill and stayed in Paris until 1918.[5][6]

Influential artists' works

• 
  Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880–1881, The Phillips Collection, Washington, D.C.
• 
  Pierre-Auguste Renoir, The Artist's Family, 1896, The Barnes Foundation, Merion, Pennsylvania
• 
  Paul Cézanne, The Bay of Marseilles, view from L'Estaque, 1885
• 
  Paul Cézanne, Bather, 1885–1887, Museum of Modern Art

In 1918 Procter and his wife returned to Newlyn, where they primarily lived from that point onward. On 21 October 1935, after years of high blood pressure, Procter died of a cerebral haemorrhage in North Shields, County Durham, while travelling.[1][3][7]

First World War

During the First World War Procter was a conscientious objector, serving with the Friends' Ambulance Unit[1] in Dunkirk from April 1916 until February 1919.[8]

• 
  Étaples, The Convoy Yard, Imperial War Museum
• 
  Nissen huts, St Omer, Imperial War Museum
• 
  The Interior of a Garage, Boulogne, Imperial War Museum
• 
  The Interior of the BRCS and Order of St John Garage, Boulogne, Imperial War Museum

Career

After the war Dod and Ernest Procter returned to Newlyn, where Ernest was a member of the Newlyn Society of Artists. In 1920 Ernest and Harold Harvey established the Harvey-Procter School.[1][6] They taught painting of still life, figures and landscapes in watercolour and oil.[3] He and his wife, accepted a commission to decorate the Kokine Palace, Rangoon, in 1919 and 1920.[1][6]

Procter created in 1931 what he called Diaphenicons, which were "painted and glazed decorations that provided their own light source." Leicester Galleries exhibited these works.[1]

The Glasgow School of Art appointed him Director of Studies in Design and Craft in 1934.[1][3]

Works

Procter's works included portraits and landscapes.[6]

Paintings All the Fun of the Fair[6] Aphrodite[6] Delphiniums, 1907[1]** Earth, Water, Fire, Air, 1928[1] Feather leaves, 1934, a painted ceramic plate, Penlee House Gallery and Museum.[9][nb 1] Helston Flora Dance, 1926[1] Mother & Child, 1924[1] Malo Gate, Dunkirk, 1924[1] Night and Evening[6] Porthgwarra, oil on canvas, Penlee House Gallery and Museum.[3] Rising Tide, 1936, Penlee House Gallery and Museum.[1][10] Spring Hawthorn[1] The Edge of the Shadow, 1921, for a Royal Academy Exhibition[1] The Four Elements[6] The Mischievous Boy[6] The Road to Sancreed[1] The Terrace, 1921[1] The Zodiac, 1925, oil on canvas, Tate[7] Those Who Dare[6] Versailles, 1921[1] Portraits Sir Thomas Beecham, 2nd Bt[11] Sir Thomas Beecham Conducting A Mass of Life at the Queen's Hall, 1929[11] Frederick Delius[11] Group including Frederick Delius and Philip Arnold Heseltine[11] Sir Landon Ronald[11]

Church or other commissions St Mary's Church altar screen, Chapel Street, Penzance – which in 1985 was destroyed during a fire[1] Kokine Palace decorations, Rangoon, 1920 with his wife Dod.[1][nb 2] St Hilary Church, Cornwall: Depicted St Mawes, St Kevin and St Neot for the St Hilary Church pulpit[12] Reredos of the Altar of the Dead for the St Hilary Church[12] Visitation, 1933, St Hilary Church[1] Deposition, 1935, St Hilary Church[1] Dod also made works for the St Hilary Church.[2] Ernest and Dod's works are still on view at the church.[3] World War I Étaples, The Convoy Yard, 1918, pencil and watercolour, Imperial War Museum, Gift of the British Red Cross Society and Order of St John of Jerusalem, 1920[13] Nissen Huts, St Omer, chalk and gouache, Imperial War Museum, Gift of the British Red Cross Society and Order of St John of Jerusalem, 1920[14] The Interior of a Garage, Boulogne, pastel drawing, Imperial War Museum, Gift of the British Red Cross Society and Order of St John of Jerusalem, 1920[15] The Interior of the BRCS and Order of St John Garage, Boulogne, pastel drawing, Imperial War Museum, Gift of the British Red Cross Society and Order of St John of Jerusalem, 1920[16] Book illustrations and other works Crowns Mine, Botallack, pencil drawing. Penlee House Gallery and Museum.[17] In Newlyn (untitled). Penlee House Gallery and Museum.[18] No Breakfast for Growler, 1901, book illustrations. Penlee House Gallery and Museum.[19] Young Witches at Play in the Night Sky, pastel drawing. Penlee House Gallery and Museum.[20]

Museums and galleries

His works are part of collections at the Imperial War Museum, Tate, Leeds, Newcastle, Penlee House Gallery and Museum, and Worthing / Adelaide.[1]

Memberships

He was a member or affiliated to the following organisations:[1][7]

Associate of the Royal Academy (ARA), from 1932 International Society of Sculptors, Painters and Engravers (IS), from 1925 New English Art Club (NEAC), from 1929

Newlyn Art Gallery (NAG), also called the Passmore Edwards Art Gallery, Newlyn, Cornwall Newlyn Society of Artists (NSA), Newlyn, Cornwall – member from 1924 to 34, trustee 1928 to 34

Exhibitions

Procter's work was exhibited:[1][7] 1904 +: Newlyn Art Gallery (NAG) – starting 1904, first sale 1909 1913: Fine Art Gallery 1916 +: International Society Leicester Galleries Royal Academy (49) Leicester Galleries (99) Memorial exhibitions in 1936:[7] Leicester Galleries Laing Art Gallery, Newcastle

Posthumous:[1] 1985: Painting in Newlyn 1900-1930, Newlyn Art Gallery (NAG) & Barbican Art Gallery 1987: Looking West, Paintings inspired by Cornwall 1989: A Century of Art in Cornwall, CCC centenary, Truro 1990: Dod Procter RA and Ernest Procter ARA, Laing Art Gallery, Newcastle 1992: Royal West of England Academy, Bristol: Artists from Cornwall

Gallery

• 
  Ernest Procter, The Zodiac, 1925, oil paint on canvas, Tate Museum
• 
  Ernest Procter, Porthgwarra, oil on canvas, Penlee House

Notes

1. Produced in Bizarre by Clarice Cliff. Made for October 1934 Harrod's Exhibition.
2. The eastern aesthetic influenced his subsequent works.

References

1. Ernest Procter. Cornwall Artists. Retrieved 2 October 2012.
2. Ernest Procter. Brown University, The Modernists Journal Project. Retrieved 3 October 2012.
3. Ernest Procter Archived 2 September 2012 at the Wayback Machine Penlee House Gallery and Museum. Retrieved 3 October 2012.
4. Bootham Old Scholars Association (2011). Bootham School Register. York, England: BOSA.
5. Dod Procter Cornwall Artists. 3 October 2012.
6. Ernest Procter Archived 2 October 2012 at the Wayback Machine Art Magick. Retrieved 3 October 2012.
7. The Zodiac. Tate. Retrieved 3 October 2012.
8. Some of his records as a member of the FAU (indexed as Proctor <sic>) are now available at http://fau.quaker.org.uk/search-view?forename=&surname=proctor
9. Feather leaves. Archived 17 August 2011 at the Wayback Machine Penlee House Gallery and Museum. Retrieved 3 October 2012.
10. Rising Tide. Archived 4 March 2016 at the Wayback Machine Penlee House Gallery and Museum. Retrieved 3 October 2012.
11. Ernest Procter. National Portrait Gallery. Retrieved 3 October 2012.
12. Melissa Hardie. 100 Years in Newlyn: Diary of a Gallery. Hypatia Publications; 1 June 1995. ISBN 978-1-872229-22-5. p. 1915. Note: previous page to where this link lands, ironically not a page 1914.
13. Étaples, The Convoy Yard. Imperial War Museum. Retrieved 3 October 2012.
14. Nissen Huts, St Omer. Imperial War Museum. Retrieved 3 October 2012.
15. The Interior of a Garage, Boulogne. Imperial War Museum. Retrieved 3 October 2012.
16. The Interior of the BRCS and Order of St John Garage, Boulogne. Imperial War Museum. Retrieved 3 October 2012.
17. Crowns Mine, Botallack. Archived 4 March 2016 at the Wayback Machine Penlee House Gallery and Museum. Retrieved 3 October 2012.
18. In Newlyn (untitled). Archived 4 March 2016 at the Wayback Machine Penlee House Gallery and Museum. Retrieved 3 October 2012.
19. No Breakfast for Growler. Archived 4 March 2016 at the Wayback Machine Penlee House Gallery and Museum. Retrieved 3 October 2012.
20. Young Witches at Play in the Night Sky. Archived 28 September 2013 at the Wayback Machine Penlee House Gallery and Museum. Retrieved 3 October 2012.

External links

• 21 artworks by or after Ernest Procter at the Art UK site
• Ernest Procter works
• Profile on Royal Academy of Arts Collections