Acosta emigrated with his family to Los Angeles, California, in the United States of America, from Mexico[1] after 1910, to escape the violence[2] created by the Mexican Revolution. His theater career began in Mexico, though there is not yet significant information.[3] After he emigrated, Enrique Acosta, bilingual in English and Spanish, acted in many of Hal Roach's Spanish-language shorts in the early 20th century, as well as films where he spoke English.[4] He lived with his three sons and wife, Josefa A Acosta, in Culver City near the Hal Roach studios. Some of his extended family resided in Playa del Rey, California—including his adult son, Joaquín Enrique Acosta Sr., and daughter in law, Catalina Ortiz Acosta, a pianist working with Juanita Roos,[5][6] wife of Charles Roos[7] in the Indianist Movement.[8]
In the early 20th Century, Culver City was a Sundown town,[9] making it necessary for the Acosta family to declare themselves "white" to live and work in Culver City during that time. Declaring themselves to be white on birth certificates and other public documents was common practice for many Mexican Americans in Los Angeles County during the 20th century.[10]
Career
Being bilingual in both Spanish and English, Acosta was able to obtain niche opportunities as a Latino supporting actor[11] in the nascent Southern California film industry,[12] Enrique Acosta was both a silent film actor then continued his acting career into "talkies", the name at the time for sound film. He was described as, "... a character actor with Mexican Indian features, a burly frame..."[13]
Behind the camera, he was the listed film director for Hollywood, City of Dreams (Spanish:Hollywood, ciudad de ensueno) in 1931. A Spanish-language film made in the United States.
Enrique Acosta worked with many early 20th Century film stars including Laurel and Hardy in many of Hal Roach Studio's Spanish-language shorts.[4][16] Politiquerías[17] is a Spanish language version feature film expanded from the English language Chickens Come Home (1931) Laurel and Hardy short film by Hal Roach Studios.[18] He is cited as a Mexican American actor in many early Western films including The Texan.[3][19]
At age 66, he played General Calixto García[20] in A Message to Garcia (1936), starring a very young Barbara Stanwyck. In many of his film roles he usually played an authority figure such as a judge, military officer or police officer.[21] When he wasn't an authority figure, he was an elegant guest.[22] He had many other uncredited roles.[23] The filmography cross-referenced with the AFI Catalog of Feature Films.[24]
Enrique Acosta died in Culver City, California, May 22, 1949, at the age of 79.[3][25] He was buried in the Holy Cross Cemetery in Culver City, California. His wife, Josefa A. de Acosta died two years later and shares the headstone. His eldest son, Joaquin Enrique Acosta Sr., also died in 1949 and is buried nearby.
^Keller, Gary D. (1997). A Biographical Handbook of Hispanics in United States Film (1 ed.). United States of America: Bilingual Press/Editorial Bilingüe. p. 1. ISBN978-0927534659.
^Kleinman, Mark L. (1994). Annals of Iowa 53, Searching for the 'Inner Light The Development of Henry A. Wallace's Experimental Spiritualism (53 ed.). pp. 78, 203.
^Keller, Gary D. (1994). Hispanics and United States Film: An Overview and Handbook. USA: Bilingual Press. ISBN978-0927534406.
^Reyes, Luis; Rubie, Peter (2000). Hispanics in Hollywood: A Celebration of 100 Years in Film and Television (2nd ed.). USA: Watson Guptil Pub. ISBN978-1580650250.
^Crafton, Donald (1999). American Cinema's Transition to Sound 1926-1931, VOlume 4 (History of American Cinema) (1st ed.). USA: University of California Press. ISBN978-0520221284.