Born in Chicago, she began studying at the University of Chicago, where she met and married a professor, Leonard A. Rapping. She earned a bachelor's degree at the University of California, Los Angeles, then moved to Pittsburgh when her husband took a position at Carnegie Mellon University.[2] She insisted on taking courses at the University of Pittsburgh and earned her masters and doctoral degrees in English.[citation needed]
Her first book, The Looking Glass World of Nonfiction TV, was published in 1987. A collection of her essays and articles, Media-tions: Forays into the Culture and Gender Wars, was published in 1994, in which she took up such pop culture artifacts as soap operas, Madonna and Amy Fisher to set forth a new paradigm of feminism's interface with the media.[citation needed]
In 1996, Rapping published The Culture of Recovery: Making Sense of the Self-help Movement in Women's Lives, a book based on her personal investigations into the self-help groups for women.[citation needed] Her 2003 book, Law and Justice As Seen On TV, examines the significance and political impact of law-related television programming beginning with courtroom dramas in the 1940s up to the crime shows of the present. In his review of Law and Justice, educator Austin Sarat stated that Rappings's work "shows how valuable the analysis of popular culture can be in illuminating some of the most important legal and social issues of our time."[4]
"Liberation in Chains: The Woman Question in Hollywood," Cineaste, vol.17, no.1 (1989), p. 4-12.
"The Future of Motherhood." In: Class and the Feminist Imagination, edited by Ilene Philipson and Karen Hansen, Temple University Press, (Fall 1989), p. 339-427.
"Hooked on a Feeling: The Sociology of Self-Help" Nation, (November 1989).
"Gender and Media Theory: A Critique of the Backlash Model," Journal of Social Philosophy, (Summer 1994), p. 7-22.
"Karal Ann Marling's As Seen on TV," Journal of Communication, (Summer 1995), p. 211-215.
"The Jane Austen Thing" The Progressive (July 1996), p. 37.
"The Movie of the Week: Law, Narrativity, and Gender on Prime Time." In: Feminism, Media, and the Law, edited by Martha Fineman and Martha McCluskey. Oxford University Press US (1997) (ISBN0-19-509629-0)
"Ellen Comes Out: Media Events as Political Happenings," Z Magazine, (July–August, 1997).
"Television and the Rise of the Victims’ Rights Movement," New York Law Review, (Summer 1999).
"Gender, Melrose Place and the Aaron Spelling Legacy." In: Mediated Women, edited by Marian Meyers. Hampton Press (1999).
"What the Men Don't Know: Secrets of the Daytime Gender Ghetto." In: The Pleasures of Television, edited by Stanley Aronowitz and Patricia Clough. Minnesota UP. (1999).
"Daytime Talk Shows and the Gendered Public Sphere." In: Women's Politics and Communication, edited by Liesbet van Zoonen and Annabelle Sreberny-Mohammadi. Hampton Press, (2001).
"Aliens, Nomads, Mad Dogs and Road Warriors: The New Face of Criminal Violence on Tabloid TV." In: Mythologies of Violence in Postmodern Media, edited by Christopher Sharrett, Wayne State University Press, (2002).
"Daytime Utopias: If You Lived in Pine Valley, You'd Be Home." In: Hop on Pop: The Politics and Pleasures of Popular Culture, edited by Henry Jenkins, Tara McPherson and Jane Shattuc. Duke University Press (2002) p. 47 (ISBN0-8223-2737-6)
"The Changing Face of Criminal Violence on Television." In: Reality TV: Remaking Television Culture, edited by Laurie Ouelette and Susan Murray, NYU Press. (2005).
"Feminism and Daytime Soap Operas." In: Mediated Women, 2nd ed., ed Marian Meyers, Hampton Press. (2007)
"The Magical World of Daytime Soap Operas." In: The Media/Cultural Studies Reader, edited by Douglas Kellner and Rhonda Hammer, Peter Lang Press (2009).