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El-Ouyoun El-Soud
The song 'El-Ouyoun El-Soud' symbolizes a significant chapter in Warda's life, reflecting her personal journey after meeting Baligh Hamdi, before her marriage to the Algerian officer Jamal Qaseeri. Baligh Hamdi's composition, combined with Mohamed Hamza's verses, infuses the song with emotional depth. It is regarded as a testament to the fusion of love and artistry within Arabic music. The song was featured in the film 'Sound of Love' (1973), with Warda performing against the backdrop of the Acropolis in Athens, Greece.[2] Characterized by a melancholic melody and poetic lyrics, "El-Ouyoun El-Soud" holds significant personal significance for Warda. Through Baligh's compositions and verses, Warda's artistic essence and philosophy were encapsulated, expressed through her heartfelt vocals, as observed by music critic Sherif Hassan.[3] Song's narrative The relationship between Baligh Hamdi and Warda Al-Jazairia began with Warda's deep appreciation for Hamdi's musical compositions, particularly after encountering his work in the film Alwisada El Khalia (The Empty Pillow) (1957).[4][5] Despite geographical distances and life circumstances, Warda's admiration for Hamdi's melodies grew, fueling her desire to meet him in person.[5] Their paths finally crossed when Warda was invited to Egypt to participate in the film El Maz wa Abdu El Hamouly (1962). Love blossomed from their first encounter, with Hamdi captivated by Warda's presence. Despite facing familial opposition to their relationship, their love endured, even after Warda's subsequent marriage in Algeria and retirement from singing.[5] The creation of the song stemmed from Baligh Hamdi's longing for Warda during her absence. Collaborating with Mohamed Hamza on the composition, the song's lyrics unveil Warda's tumultuous journey, including her marriage to Algerian officer Jamal Qaseeri, during which she agreed to retire from singing and focus on family life. Despite Warda's hiatus from the music scene, a serendipitous encounter reignited Hamdi's longing and creativity, culminating in the birth of the song.[6][5] Following Warda's withdrawal from her artistic pursuits, she was invited by Algerian President Houari Boumédiène to join Egyptian artists in Algeria to commemorate Independence Day.[7] During the festivities, Boumediene proposed Warda's return to singing for the army and the revolution, with Baligh enlisted to compose. It was during this period that Baligh Hamdi penned the poignant lyrics of "El-Ouyoun El-Soud" as an expression of yearning. Composing it on the oud, he encapsulated his emotions in the song's opening stanza. This pivotal moment prompted Warda to relocate to Cairo with Baligh, marking a significant juncture in their lives. In the song, Baligh referred to Warda as the "mother of black eyes," with Warda reciprocating by singing, "The black eyes love you."[5] Legal controversyAs the song gained more traction, a legal conflict emerged between Baligh Hamdi and the famed singer Nagat El-Sagheera, resulting in a brief prohibition of the song. Nevertheless, through diplomatic talks and efforts towards reconciliation, the legal issue was settled, permitting the song to grace the airwaves once more.[8][9] Influence and legacyWarda's return to Egypt marked a significant turning point in her professional journey, fueled by her dedication to music and supported by Baligh Hamdi. Their reunion led to captivating performances, notably at the City Lights concert, where Warda delivered a powerful rendition of "Black Eyes," enchanting audiences. Their collaboration stands as a tribute to the enduring love between Warda and Baligh Hamdi, inspiring generations of artists. Their love story is immortalized through the song's emotive melodies and poignant lyrics. Numerous artists have performed the song, including Sherine, Fadel Chaker, Mai Farouk, Nancy Ajram, Wael Jassar, Mohammed Assaf, and others.[10][11][12][13][14][15] References
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