Edith Borroff (August 2, 1925 – March 10, 2019) was an American musicologist and composer. Her compositions include over 60 commissioned works, including pieces for the stage; for her primary instrument—the organ; choral, vocal, and orchestral music; and several critical editions of works by previous composers such as Jubilate by J.-J. Cassanéa de Mondonville (Pittsburgh, 1961). She also wrote at least 7 books, including the textbook Music in Europe and the United States: a History (Englewood Cliffs, NJ, 1971/R), as well as various peer-reviewed articles and publications.[1]
She joined the faculty at Milwaukee-Downer College from 1950–54 while continuing her studies at the University of Michigan in Ann Arbor, graduating with a Ph.D. in historical musicology by 1958.[2] Her dissertation was titled The instrumental works of Jean-Joseph Cassanéa de Mondonville.[3]
In a 2011 interview with the American Composers Alliance, Borroff shared that she had always considered herself a composer. She started composing at a very young. According to her, she was not allowed to pursue a degree in composition and settled for a degree in historical musicology but continued to compose and had over 60 commissions as a composer.[4]
An extensive, yet selective, list of her works appears in the biographical article on Borroff in the Oxford Music Online/Grove Music dictionary accessible from most privatized university library databases.[1]
^McVicker, Mary F. (2016). Women Opera Composers: Biographies from the 1500s to the 21st Century. McFarland. pp. 193–184. ISBN9781476623610.
^Cummings, David M., ed. (2000). International Who's who in Music and Musicians' Directory (in the Classical and Light Classical Fields). Psychology Press. p. 71. ISBN9780948875533.