Diane Ward (born November 9, 1956) is a U.S. poet initially associated with the first wave of Language poetry in the 1970s and has actively published into the 21st century, maintaining a presence in various artistic communities for many decades. Born in Washington, DC where she attended the Corcoran School of Art, Ward currently lives in Santa Monica, California[1] where she taught poetry in public schools to 1st through 5th graders for many years.[2]
Ward has received considerable recognition for her work including the California Arts Council Artists Fellowship in Literature, a National Endowment for the Arts Creative Writing Fellowship, and the San Francisco State University Poetry Center’s Book of the Year Award. Several of her poems (including “Fade on Family”) have been set to music by the Los Angeles composer Michael Webster and she has collaborated with the avant-garde sound performer and musician, Emily Hay.[1]
Selected bibliography
On Duke Ellington’s Birthday (Washington, D.C.: self-published)
Trop-i-dom (Washington, D.C.: Jawbone, 1977)
The Light American (Washington, D.C.: Jawbone, 1979)
Theory of Emotion (New York: Segue/O Press, 1979)
Never without One (New York: Roof, 1984)
Relation (New York: Roof, 1989)
Human Ceiling (New York: Roof, 1995)
Imaginary Movie (Elmwood, Connecticut: Potes & Poets Press, 1992)
(contributor) Out of Everywhere: linguistically innovative poetry by women in North America & the UK, edited by Maggie O’Sullivan (London: Reality Street Editions, 1996)
(contributor) Moving Borders: Three Decades of Innovative Writing by Women, edited by Mary Margaret Sloan (New Jersey: Talisman House, Publishers, 1998)
Portrait As If Through My Own Voice (Studio City, California: Margin to Margin, 2001)
When You Awake (New York: Portable Press at Yo-Yo Labs)
Flim-Yoked Scrim (San Diego: Factory School, 2006)
No List (No List) (Seeing Eye Books, 2008)
Belladonna Elders Series No. 8: Jane Sprague / Tina Darragh / Diane Ward (Belladonna, 2009) [5]
Further Reading
"Ward on Seaton", L=A=N=G=U=A=G=E, Volume 3, Number 13 [December 1980] This is a review by Ward of Peter Seaton's "Piranesi Pointed Up". The review can be accessed online here
Silliman, Ron (editor). In the American Tree. Orono, Maine: National Poetry Foundation, 1986; reprint ed. with a new afterword, 2002. This groundbreaking anthology of language poetry serves as a very useful primer and includes Ward's poem "Pronouncing"
LA-Lit > LA-Lit 8: Diane Ward includes bio and audio files of Ward reading the entire length of her chapbook, When You Awake (New York: Portable Press at Yo-Yo Labs), as well as a few pieces from a manuscript in-progress at the time (recorded February 5, 2005)
Diane Ward Homepage at PennSound extensive audio files available here for various readings Ward as given over the years. These files currently showcase readings from 1982 through 2008
"Nine-Tenths of Our Body" and "Tender Arc" these two poems by Ward appeared in 1983's Code of Signals, edited by Michael Palmer. Here it appears in an e-book representation (pdf file). Scroll down to "Table of Contents" to find the Ward selections.
^this is a collaboration with installation artist Michael McMillen and contains Ward's poems in the original English as well as in Italian translation by Manuela Bruschini. McMillen's artwork is also featured
^This work is a collaboration in two parts: "In Conversation" (the text of a dialogue between Jane Sprague, Tina Darragh, and Diane Ward) followed by hybrid (ie., mixed genre/poetry/prose) texts. The second collaborative section begins with an untitled poem ("how you'll know me") followed by "WHAT IS THE MATTER?", and "s[oa]pitting dignity". This volume concludes with "Notes for 's[oa]pitting dignity'" and a bibliography. It also contains two photographs by Ward, including the jacket cover, of the Los Angeles River
