Proclaimed an "Arizona Living Treasure," 1994; Arizona State Museum Lifetime Achievement Award, 1998
Dextra Quotskuyva Nampeyo (September 6, 1928 – February 2019) was a Native American potter and artist. She was in the fifth generation of a distinguished ancestral line of Hopi potters.
In 1994 Dextra Quotskuyva was proclaimed an "Arizona Living Treasure," and in 1998 she received the first Arizona State Museum Lifetime Achievement Award.[1] In 2001, the Wheelwright Museum organized a 30-year retrospective exhibition of Quotskuyva's pottery,[2] and in 2004, she received the Southwestern Association for Indian Arts Lifetime Achievement award.[3]
Personal life
Quotskuyva was the great-granddaughter of Hopi-Tewa potter Nampeyo of Hano, who revived Sikyátki style pottery,[1] descending through her eldest daughter, Annie Healing. Dextra is the daughter of Rachel Namingha (1903–1985), and sister of Priscilla Namingha, who are other notable Hopi-Tewa potters.[4] Her daughter, Hisi Nampeyo is also a potter, and her son, Dan Namingha, is painter and sculptor.[5] Her husband, Edwin Quotskuyva, was a veteran and a Hopi tribal leader.
Quotskuyva died in February 2019, at the age of 90.[6][7]
Work
Dextra began her artistic career in 1967, following Nampeyo's rich heritage rooted in Sikyatki decorations.[3] At first, following the advice of her mother to stay true to the old styles, Dextra's design repertoire was limited to traditional Nampeyo migration and bird designs. After her mother died in 1985, Dextra felt at greater liberty to express her personal creativity. She was the first Nampeyo potter to produce a commodity for public consumption.[8]
Quotskuyva experiments with the traditional materials usually used for pottery, gathering clay from different sources from her reservation and creating variations on the characteristic orange, tan, and brown hues of Hopi bonfire pots.[9] For the decorations, she uses bee-weed plant for the black and native clay slips for the red.[10]
In describing her way of creating pottery, she said: "One day my pottery calls for me, and then I know this is the day I must do it".[9]
^ abSusan., Peterson; National Museum of Women in the Arts (Washington D.C.) (1998-01-01). Pottery by American Indian women : the legacy of generations ; [exhibition itinerary: The National Museum of Women in the Arts, Washington, D.C., October 9, 1997 – January 11, 1998 ; The Heard Museum, Phoenix, February 18, 1998 – April 18, 1998]. Abbeville Press. ISBN0789203537. OCLC614021872.
^Struever, Martha Hopkins (2001). Jonathan Batkin (ed.). Painted Perfection: The Pottery of Dextra Quotskuyva. Wheelwright Museum of the American Indian, Santa Fe, New Mexico. pp. 1–123. Retrieved October 23, 2021.
^"hopi2002-4-24". www.holmes.anthropology.museum. Archived from the original on 2018-06-02. Retrieved 2018-03-08.
Pecina, Ron and Pecina, Bob. Hopi Kachinas: History, Legends, and Art. Schiffer Publishing Ltd., 2013. ISBN978-0-7643-4429-9; p. 161
Further reading
Dillingham, Rick – Fourteen Families in Pueblo Pottery. 1994.
Peterson, Susan – Pottery of American Indian Women: The Legacy of Generations. 1997.
Schaaf, Gregory – Hopi-Tewa Pottery: 500 Artist Biographies. 1998.
Blair, Mary Ellen; Blair, Laurence R. (1999). The Legacy of a Master Potter: Nampeyo and Her Descendants. Tucson: Treasure Chest Books. ISBN1887896066. OCLC41666705.