David Bret
David Bret (born 8 November 1954) is a British author of show business biographies. He chiefly writes on the private life of film stars and singers. BiographiesBret has written a number of biographies for several publishers. Many of these have focused on the private or intimate lives of entertainment celebrities.[1] Lewis Jones, in the Telegraph wrote that Bret "for decades has churned out sensationalist biographies of such figures as Diana Dors, Barbra Streisand and Tallulah Bankhead."[2] Clark GableIn Clark Gable: Tormented Star Bret deals at length with Gable's sex life and particularly his sex with other men. In the New York Times Sunday Book Review, Ada Calhoun wrote "How does Bret, the author of numerous celebrity biographies, know so much about Hollywood stars’ sex lives? Judging by this new book's convoluted wording, he really doesn't."[1] She also wrote: "For all its smut, the book is painfully unsexy. ... And yet Bret undermines his own arguments. ... 'Clark Gable' teems with innuendo and exclamation points, but still presents a thoroughly joyless view of old Hollywood."[1] George FormbyIn George Formby: A Troubled Genius Bret explores the "innocent innuendo"[3] of a once hugely popular music-hall performer. Jonathan Glancey writing for The Guardian described it as "David Bret's thoughtful book about the life and unhappiness of an entertainer who would surely never make it anywhere near the top now."[3] Greta GarboGreta Garbo: Divine Star was criticized by Lewis Jones, who wrote: "There is little new to say about Garbo’s life, and the best one can expect of a retelling is insight, wit and a shapely narrative, none of which is provided by Divine Star."[2] Lewis complains that:
Christopher Fowler was more positive about Divine Star. In The Independent he wrote:
Fowler concludes by saying: "Bret's biography is rightly partisan and fully prepared to name enemies, which makes it a bracingly pleasurable read in these anodyne times."[4] Joan CrawfordWriting in The Washington Post, Carolyn See has a very negative view of Bret's biography of Joan Crawford, calling it "one of the ickiest film biographies I've ever read."[5] See writes:
See accuses Bret of failing to cite sources for statements and quotes in the work, and of engaging in unfounded speculation.
See concludes that "Ultimately, it's an enormous insult to gays, assuming, as it does, that mindless cattiness and restroom innuendo are the accepted small talk of homosexuals everywhere."[5] An unsigned review in Publishers Weekly is more neutral, writing: "Bret chronicles her films, her feud with Bette Davis and dismisses her daughter's Mommie Dearest tirade, but he revels in Hollywood's sexual excesses, and fans who crave a lively insider view will most appreciate this bio."[6] Maria CallasAn unsigned review in Publishers Weekly says of Maria Callas: The Tigress and the Lamb that
Errol FlynnAn unsigned, undated review in Publishers Weekly says of Errol Flynn: Satan's Angel that "Bret, however, takes on the Flynn mythology in this new biography."[8] The review goes on to say that:
Edith PiafAn unsigned, undated review in Publishers Weekly says of The Piaf Legend that "Bret presents little new information–and is no more successful than his predecessors in uncovering the reasons for Piaf's enormous appeal."[9] Maurice ChevalierAn unsigned, undated review in Publishers Weekly says of Maurice Chevalier: Up on Top of a Rainbow: "In this entertaining look at the life of Maurice Chevalier (1888–1972), Bret, author of The Piaf Legend and The Mistinquett Legend, again shows his prowess as a chronicler of French stars."[10] The review goes on to say: "Bret supports his biography with authoritative sources, although on occasion his facts are askew, as when he makes a reference to 'John F. Kennedy and his mother, Ethel.'"[10] MorrisseyAn unsigned, undated review in Publishers Weekly says of Morrissey: Scandal & Passion:
MistinguettAn unsigned, undated review in Publishers Weekly says of The Mistinguett Legend:
Other work
Bret has also written many newspaper and magazine articles, for instance, for The Stage, and he has lectured at the University of Chicago. He had adapted songs from the original French for his godmother, actress Jacqueline Danno, and for his friend the chanteuse Barbara. She commissioned him to adapt her theme song, Ma plus belle histoire d'amour, into English. Bret also appears in the Italian documentary, 'Rudy', which tells the story of Rudolph Valentino. He also made a trio of documentaries for the E! channel in the USA, discussing Freddie Mercury, Valentino and Tallulah Bankhead. In other documentaries/television retrospectives for the BBC and other major channels he discusses Maria Callas, George Formby, Gracie Fields, Edith Piaf, Maurice Chevalier, Morrissey, Marlene Dietrich and Elvis Presley. His novels are; The "John Dynham & The Wars of the Roses" trilogy: "A Devon Squire"; "Nicholas Carew"; "Thomas & Tom: A Spiritual Brotherhood". "Darvinz of Zarumna"; "Chanson, A Story of Forbidden Love During The German Occupation of Paris"; "Dante Alfonso: Italian God of the Silent Screen". Autobiographies: Putting One's Head Above The Parapet, DbBooks ISBN 978-1-539-53430-3; "Old Bastard": My Psychotic Father", DbBooks ISBN 978-1-539-83088-7 CriticismsBret is regarded by some as controversial in his writings and has been compared to Charles Higham[13] and Kenneth Anger ("The effect is Hollywood Babylon lite.")[1][13] His works have also attracted scrutiny for their sexual detail.[1][5] References
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