Copacetic is an album by Velocity Girl, released in 1993.[1][2] It is their first full-length album and features the singles "Crazy Town" and "Audrey's Eyes," both of which were given music videos. The album's title is an American slang word for being untroubled.[3]
Production
The album was produced by Bob Weston and was recorded over five days for less than $5,000.[4][5] Its sound is heavily influenced by shoegaze. Kelly Riles described the recording of the album: "We mixed the album in a very different way than people would have expected us to—it's very rough sounding. It's a deliberate move away from the lighter production on the singles".[3]
A review in Lime Lizard at the time of its release drew comparisons with My Bloody Valentine, stating that "this could be the rejected demos for Isn't Anything".[13]The Washington Post noted that "the noisy dream-pop works some of the time (the opening 'Pretty Sister', for example), although when it gets too dreamy (the over-long 'Here Comes', the instrumental 'Candy Apples') it can just seem vague."[14]Trouser Press wrote: "Despite being taken as shoegazers, Velocity Girl makes its songs here jump up and down rather than simply stare at the floor."[15]
The album was listed among "75 Lost Classics" in the Spring 2007 issue of Magnet.[16]
Track listing
"Pretty Sister" (4:59)
"Crazy Town" (3:47)
"Copacetic" (3:41)
"Here Comes" (4:42)
"Pop Loser" (2:24)
"Living Well" (3:06)
"A Chang" (5:48)
"Audrey's Eyes" (3:02)
"Lisa Librarian" (2:18)
"57 Waltz" (2:49)
"Candy Apples" (3:07)
"Catching Squirrels" (5:42)
References
^Rogers, Ray (Apr 1993). "It's spring! Sing! — Copacetic by Velocity Girl". Interview. Vol. 23, no. 4. p. 44.
^Bonner, Michael (Apr 10, 1993). "Copacetic by Velocity Girl". Melody Maker. Vol. 69, no. 15. p. 29.
^ abBonner, Michael (1993) "Velocity Girl: Cop This", Lime Lizard, May 1993, p. 74
^"Copacetic by Velocity Girl". Billboard. Vol. 105, no. 16. Apr 17, 1993. p. 52.
^DeLuca, Dan (June 17, 1994). "Velocity Girl Finding That Perseverance Pays". Features Weekend. The Philadelphia Inquirer. p. 15.