As a writer, his early work included Bluff Your Way at the Races (Ravette) as well as many opera translations into English. Play commissions soon followed, beginning with a new English version of Sophocles's Philoctetes written for Offstage Downstairs. Later successes include Tatyana commissioned by Nottingham Playhouse, with Josie Lawrence in the title role, and Beverly Klein as her sister Olga;[3]Dr Sullivan and Mr Gilbert (Mull Theatre,[4] revived at Glasgow Citizens' Theatre and on tour throughout Scotland[5]); and Green Tea, shortlisted for a Guinness Prize.
As an actor, he has worked in England's West End and Repertory Theatre, creating the role of Owl in the first stage version of Winnie-the-Pooh (London Royalty Theatre and national tour) and taking part in world and/or international premières of plays by Alan Ayckbourn[22] and Alan Bennett[23][24] amongst others. He has also been an exponent in the field of corporate and medical professional actor-based roleplaying, especially noted for his work on development of feedback techniques, including his formulation of Advocate Feedback.[25]
'Chapí, "el gran camaleón"' in Ruperto Chapí: nuevas perspectivas Vol.1 (Valencia, Institut de la Música, 2012 ed. Víctor Sánchez Sánchez et al.) ISBN978-84-482-5798-9
'Under the Influence: Pablo Luna and opereta española' in El teatro de arte (Madrid, Fundación Guerrero, 2016 ed. Alberto González Lapuente and Alberto Honrado Pinilla) ISBN978-84-617-4100-7
'Zarzuela', Chapter 8 in So You Want to Sing Light Opera (Washington DC, Rowman & Littlefield, 2017 ed. Linda Lister) ISBN9781442269385
'¿Fruta podrida? Nuevas perspectivas sobre la zarzuela ínfima en Madrid (1900-1912)' in Música, escena y cine (1896-1978): diálogos y sinergias en la España del siglo XX (Hispanic Music Series 5, Universidad de Oviedo, 2021 ed. Miriam Perandones and María Encina Cortizo) ISBN9788418482229
References
^The Oxford Companion to Music (OUP, 2002 ed. Alison Latham; major contributors, biographical section)
^Biographical profile, Opera Magazine (London, July 1992)