Charlotte Nasmyth (17 February 1804 – 26 July 1884) was a Scottish painter whose works were regarded at the time as "gems", and which are now included in the collections of the Scottish National Gallery and other museums.
Charlotte, in common with her siblings Patrick, Jane, Barbara, Margaret, Elizabeth, and Anne, worked as a studio assistant to her father in Edinburgh, and also taught art classes.[1][4] After the death of their father in 1840, his legacy and an auction of 155 of the family's paintings gave the Nasmyth sisters financial independence, and enabled them move to England.[1] Between 1831 and 1866, Charlotte exhibited her romantic landscapes[4] and other works at the Royal Scottish Academy, the Royal Society of British Artists, the Royal Academy, and other institutions.[2] She painted mainly in oils, and sometimes in watercolours,[1] and also produced some etchings.[5] Her subjects include landscapes of north Wales and various regions of England, as well as Scotland, indicating that she travelled widely throughout Britain.[1] She was the most prolific artist of the six sisters.[1][2] Modern writers have described her as "the most flamboyant and wildest",[3] working "with a greater freedom and panache than her sisters".[1] Contemporary reviewers described Charlotte's paintings as "little gems",[6][7] "delicious small-room pictures ... meant to .. form the individual treasure of some limited sphere of its own."[8] Gnarled tree trunks with broken branches were a favourite subject of Charlotte's,[1] and a reviewer in 1866 wrote of one of her landscapes, "This is the finest bit of tree painting in the exhibition; vigorous, crisp, and beautiful in colour."[9]
A portrait of Charlotte by William Nicholson is in the collection of the National Galleries Scotland,[4] and another by Andrew Geddes[10] is in the British Museum.