Chanson à boire is Poulenc's first choral work, commissioned by a student choir, the Glee Club of Harvard University in the United States. Upon completion, Poulenc sent them the score. In an interview with Claude Rostand dated 1954, he said:
When my song was finished, I sent it to Harvard. Kaboom! Meanwhile, the Prohibition Act had just passed, and made this work impossible to sing. Then I forgot all about it, when, twenty-eight years later, in 1950, being in Holland, the president of the admirable male choir of the Hague invited me to listen to a repetition of my prayers Of St. Francis of Assisi and ... of this "Song to drink". I confess I was in my little shoes because I had never heard it.[M 1]
Twenty-eight years separate the composition of the work and its first performance in The Hague. Poulenc states: "I was ready to do a lot of retouching. What was not my amazement (...) of not having one note to change!."[M 1]
Structure
The work is written for an unaccompanied four-part men's chorus. The total performance time is approximately four minutes.
^This work should not be confused with Chanson à boire, the second of the eight Chansons gaillardes, FP 42, a work by the same composer on a different text.
