One of the gates of the palace (left), and a gate of the Hôtel du Rond-Point in Paris (right), both being very similar
The palace was built in 1901–1902 for Gheorghe Grigore Cantacuzino, mayor of Bucharest and former prime-minister, after the plans of Ion D. Berindey, in the French Beaux Arts style. After his death, the building was inherited by his son Mihail G. Cantacuzino, who died prematurely in 1929. Mihail's wife Maria remarried in December 1939 with music composer George Enescu. On 10 August 1913, at the end of the Second Balkan War, the Treaty of Bucharest was signed here.[4] The building – known as Cantacuzino Palace at the time – also hosted the Presidency of the Council of Ministers in the eve of World War II.
After the death of George Enescu in 1955, his wife stated in her will that the palace would host a museum dedicated to the artist. In 1956, The National Museum George Enescu was established.[5][6]
Description
The exterior and most of the rooms are Beaux Arts, the rest being Rococo Revival. The two lions at the entrance, and the gates and fences, in the Louis XIV style, give the building a princely look. The palace had the fame of a place in Bucharest where balls were held.[7] For the decoration of the interiors, Gheorghe Grigore Cantacuzino turned to the most famous artists of the time: George Demetrescu Mirea, Nicolae Vermont and Costin Petrescu. Nicolae Vermont made six medallions (oil on canvas embossed on the wall), three of which were signed and dated 1907. Five of the six medallions are placed above the doors in the hallway that led to the rooms to the right of the entrance. Two of them, Shepherd with Sheep (Cioban cu Oile) and Peasant Woman with Vessel (Țărăncuță cu Cofă), are directly inspired by the work of Nicolae Grigorescu, under whose influence was their author.[8]
In present day, about only five rooms can be visited, the rest being occupied by some institutions.
Gallery
The Palace during the Belle Époque (1877-1916), before the construction of the building at the intersection of Calea Victoriei and Strada Frumoasă
Detail of one of the gates
A smaller gate of the palace
Detail of that smaller gate of the palace
View of the palace, with its pair of Louis XIV style lions at the entrance
The glass and metal entrance of the palace
Wall of the entrance room
Handle of a door in the entrance room
Door in the ground floor hallway
Peasant Woman with Vessel (Țărăncuță cu Cofă) by Nicolae Vermont, surrounded by Rococo Revivalstuccos in the room where tickets and souvenirs are sold
Rococo Revival chimneypiece in the room where tickets and souvenirs are sold
^Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat (2017). Bucharest Architecture - an annotated guide. Ordinul Arhitecților din România. p. 90. ISBN978-973-0-23884-6.
^Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat (2017). Bucharest Architecture - an annotated guide. Ordinul Arhitecților din România. p. 90. ISBN978-973-0-23884-6.