The son of Filomino Rodriguez and Ana Perez, Buenaventura Rodriguez was born in Bogo, Cebu on July 14, 1893[1] and studied at the Ateneo de Manila University, Colegio de San Carlos,[2] and Escuela de Derecho.[3] The prominent Rodriguez clan was based in Bogo and possessed extensive sugar landholdings in the northern part of Cebu. They traced their lineage and cultural ties to Spain and intermarried with Chinese mestizo families.[4]
Playwright
Buenaventura was one of the popular playwrights in Cebuano language during the American occupation. Like his contemporaries, his works featured the theme of rising nationalism,[5] combining social criticism and entertainment.[6] The propaganda-laden play Salilang was a story of Rajah Hamabad's daughter and the two rivals competing for her love, one of whom was considered a foreigner and was deemed unfit for the chieftain's daughter's affection.[5]
One other play that he wrote was El Muñeco Roto (The Broken Doll) and on 1915, Compañia de Zarzuela Española performed the play.[7] He wrote zarzuelas[8] including Inday[1][9] that was staged at the Teatro Oriente on August 18, 1917.[1] Additionally, his play entitled La Adjusta Leja de la Vaguada was adapted into film in 1940.[7] Other notable works include Lili,[3]Balaod sa Kinabuhi (The Laws of Life), Pahiyum (Smile), Dinihan,[1]Bomba Nyor (“Attack, Sir!”), and Dumagsa (“West Wind”).[10]
For his novel, La Pugna, he was awarded the Premio Zobel (named after Don Enrique Zobel, an advocate of Spanish literature)[3] in 1924.[7]
During the local election of 1937, he ran for governor under the Nacionalista Party against Vicente Sotto, who was campaigning under the newly formed Frente Popular party.[11] On December 14, 1937, he defeated Sotto and was elected governor of Cebu province, becoming the first Cebu governor of the Philippine Commonwealth[12] and to take office in the newly constructed Cebu Provincial Capitol[13] that was inaugurated by then President Manuel L. Quezon[14][15] on June 14, 1938.[16] He died on December 9, 1940, a day before the election where he was seeking a second term as governor.[1] He was succeeded by Hilario Abellana, who only had hours to conduct an electoral campaign to promote his candidacy.[17]
Historical commemoration
The B. Rodriguez Street in Cebu City was named after him. It stretches from the corner of V. Rama Avenue to Fuente Rotunda, along the Vicente Sotto Memorial Medical Center.[3]
His short story/play entitled Mini (The Fake) was part of Dulaang Cebuano (Cebuano Plays) by Erlinda Alburo, Resil Mojares and Don Pagusara published in 1997.[18]
Further reading
Ang, Gertrudes R., Three Cebuano Playwrights: Case Studies in Emergent Nationalism, Philippine Quarterly of Culture & Society (1973)
Binaoro, Rosario V., A critical evaluation of the plays of Buenaventura Rodriguez : leading Cebuano dramatist, Silliman University, Dumaguete City, 1953[19]
Cinco, Lilia Maestrado, The Literary Significance of Buenaventura Rodriguez in the History of Sugbuanon Drama, University of the Philippines, Diliman (1959)[10]
^ abSidel, John Thayer, 1966- (1999). Capital, coercion, and crime : bossism in the Philippines. Stanford, Calif.: Stanford University Press. ISBN978-0804737456. OCLC41619512.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
^ abAng, Gertrudes R. (1973). "Three Cebuano Playwrights: Case Studies in Emergent Nationalism". Philippine Quarterly of Culture and Society. 1 (2): 80–85. ISSN0115-0243. JSTOR29791058.
^Villaruz, Basilio Esteban S. (2006). Treading through : 45 years of Philippine dance. Diliman, Quezon City: University of the Philippines Press and Philippine Folklife Museum Foundation, San Francisco, California, USA. ISBN9789715425094. OCLC82133393.
^"Bisayang dako". cebudailynews.inquirer.net. 4 October 2015. Retrieved 2019-05-06.
