"Musically, Comes with the Fall certainly has a soft spot for the big riff thang (DuVall also supplies six-string in the band), as evidenced by the Kyuss-esque 'Rockslide' and the Audioslave-ish 'Pale Horse Rider.' However, not all of Beyond the Last Light is aggressive: both 'White Hot' and 'Still Got a Hold on My Heart' manage to take the fury down a notch, and tread on melodic territory. Finally -- a rock band in the early 21st century that won't sound out of place on rock radio, but that you also won't be embarrassed to admit liking."[1]