Beni, also spelled Mbeni,[1] is an indigenized East African form of brass band music.[2] The word beni derives from the English word "band."[3] Beni appropriated symbols of colonial authority as the military drill, uniform, and elaborate hierarchies.[4]
The beni ngoma is a competitive dance genre based on a military drill performed to brass-band music. The corresponding Beni dance was developed during the colonial era, and mimicked military and colonial traditions with Africanized music and movement of the dancers.[5][6] Beni has been considered an evolution of taarab, a traditional form of Swahili music.[7]
This kind of dance to brass music also included Swahili songs.[4][8] It is a popular form of wedding entertainment with a strong focus on rhythm and dance, and audience participation.
History
Beni has its origins in urban Swahili communities on the Kenyan coast in the 1890s,[9] where it came to be part of the culture of competitive associations.[10] Brass band music was performed for British audiences in East Africa. Brass band music was used by missionaries to introduce European culture to young people in Zanzibar.^[4] At the same time, in the late colonial period, beni was a way for young people to express their independence.[9][4]
Around 1914, the style spread to Tanga and Dar es Salaam. The first accounts of beni in Nyasaland were around 1918. During the First World War, beni was danced by askari soldiers.[11] Prisoners of war danced it in the detention camp at Zomba in Malawi, and by detachments of the 2nd KAR when they returned to Nairobi.[9]Beni dancers were also instrumental in structured communication during the 1935 Copperbelt strike in Northern Rhodesia.[5][6]
When Beni was indigenized, western instruments were sometimes exchanged with local instruments, and march time was replaced by African cross beats and polyrhythm.[12] In Kenya, for example, wooden trumpets were substituted for traditional brass versions of the western instrument.[13]
^Muthini, Charles, Danson Siminyu, and Kenya Presidential National Music Commission. (2007). "Mbeni: dance of the Akamba". search.worldcat.org. Nairobi: Permanent Presidential Music Commission. Retrieved 2024-11-27.{{cite web}}: CS1 maint: multiple names: authors list (link)
^Manuh, Takyiwaa; Sutherland-Addy, Esi (2013). Africa in contemporary perspective: a textbook for undergraduate students (1. publ ed.). Oxford: Sub Saharan Publ. p. 447. ISBN9789988647377.
^ abFreund, Bill (2016). The Making of Contemporary Africa: The Development of African Society Since 1800. Palgrave Macmillan. p. 114. ISBN978-1-137-60620-4.
^Playing with identities in contemporary music in Africa. Uppsala: Nordiska Afrikainstitutet in cooperation with The Sibelius Museum/Dept. of Musicology, Åbo Akademi University, Finland. 2002. p. 171. ISBN9789171064967.
^Antwi, Patrick Awuah (2013). Africa in Contemporary Perspective: A Textbook for Undergraduate Students. Accra, Ghana: Sub Saharan Publishers. ISBN9789988647490.