books: Slavonic rhapsody, Briefwechsel; translations: Music here and now, Bambi's children; articles: Chávez lights new music with old fires, Literature in exile
Barthold Fles was born in Amsterdam into an assimilating Jewish family. His father, Louis Fles, was a successful businessman and an activist against religion. Barthold had a tense relationship with his father, who wanted him into his business, while the young Fles was mostly interested in reading. Barthold read in Dutch, German, English, and French, anytime and at a tremendous pace. He studied business at a vocational school and found employment at De Lange publishers.
In 1923 he left for the United States.[2] In New York Fles found temporary employment as a violinist, painting apartments, selling vacuum cleaners and working for publishers.[3]
Literary agency
In 1933, he established a literary agency in Manhattan, New York. Initially many of his clients were German refugees and other foreign authors.[4][5] He organized evenings for these authors in New York, in order to get them acquainted with the American book market.[6] From the 1940s onwards most of his clientele was from the United States.[7]
Fles was a special figure in the lives of many of his clients. He kept closely in touch, encouraged his authors to concentrate on their art, and arranged fellowships with literary funds.[3][8] Still, some clients moved on to larger agencies, or were later represented by publishing houses, lawyers, or by themselves, often after long relationships. An exception was Anaïs Nin who left him soon after she joined his client circle, citing unorganized business conduct as a reason.[9] "Bonjour, friend, and good-bye, literary agent", she wrote to him.[9] In biographical notes on Fles, however, she stated that he had refused to take on her boyfriend Henry Miller.[9] Miller himself also had hard feelings, calling Fles dishonest and part of the publishing establishment.[10] Fles was influential during several decades in getting blacklisted authors published.[11][12]
Barthold Fles wrote two juvenile books: Slavonic rhapsody: the life of Antonín Dvořák (1948) under the pseudonym Jan van Straaten (Van Straaten being his mother's maiden name) and East Germany (1973). He also wrote introductions to compilations and many articles and translated several books from German to English. Among the translations was another children's book, Bambi's Children by Felix Salten.[13] His non-fictional writings and his translations received considerable praise, except for his book on Germany. This book was clearly outside his (music and literature) expertise and sealed his writing for publication, set aside an intro to More by Dell Shannon (1982), by his prolific client Elizabeth Linington.[14]
Personal and legacy
In 1936 Barthold married Ruth Grünwald, a dancer at the Metropolitan Opera who had been just one year in the United States.[15] Ruth assisted Barthold at his literary agency.[16] Later she left him.[17]
In 1986, at the age of 84, Fles closed his agency. Subsequently, he returned to his native Netherlands,[18] where he spent his last three years in Laren's Rosa Spier home for retired artists.[4][19] At Rosa Spier he was approached by Madeleine Rietra, a Dutch expert on German literature, who posthumously published his letter exchange with clients Joseph Roth (bookchapter in 1991)[4] and Heinrich Mann (book in 1993),[20] along with commentaries and biographical notes.
Barthold Fles, a diabetic for several decades, died on December 19, 1989, aged 87.
Madeleine Rietra: "Der New Yorker Literaturagent Barthold Fles als Vermittler zwischen der alten und neuen Welt (1933-1945)" in Batts MS (ed.): Alte Welten - neue Welten, Akten des IX. Kongresses der Internationale Vereinigung für Germanische Sprach- und Literaturwissenschaft. Tübingen: Niemeyer, 1996, p. 164. ISBN3-484-10718-9.
Madeleine Rietra: "Heinrich Mann/Barthold Fles: Autor/Agent" in Würzner H, Kröhnke K (eds.): Deutsche Literatur im Exil in den Niederlanden 1933-1940. Amsterdam: Rodopi, 1994, p 151-162. ISBN978-90-5183-649-3.
^ abBoberach, Heinz; Schulze-Bidlingmaier, Ingrid (1994). Quellen zur deutschen politischen Emigration 1933 - 1945 (in German). K.G. Saur. ISBN978-3-598-23040-0. Korrespondenz Barthold Fles (1902-1989) Literaturagent, Verleger, Schriftsteller, Übersetzer holländisch-jüdischer Herkunft; seit 1923 New York, dort 52 Jahre als Literaturagent tätig.
^ abcdRietra M: "Muß man dann immer postwendend Geld senden um überhaubt mit Ihnen verkehren zu können? Joseph Roth und Barthold Fles in Briefen", in Onderdelinden S: "Interbellum un Exil", page 199. Rodopi Publishers, 1991.
^Rikhoff, Jean (1976). One of the Raymonds. Fawcett Crest. p. 5. ISBN978-0-449-23090-9. For HELEN TAYLOR, who tried to make me a writer, and JOYCE ENGELSON, who is trying to keep me one, two great editors; and to my agent BARTHOLD FLES, who lent the encouragement and (often) money to keep me going, this book is dedicated in admiration and affection
^Webb, William (1991). Henry & Friends: The California Years, 1946-77. Capra Press. p. 16. ISBN978-0-88496-343-1. Henry was delighted to see Walker, though not so delighted to see Barthold Fles, the literary agent who was also visiting Walker. The conversation became animated. Henry got off a few cracks about Fles being a fraud, part of the publishing establishment that was by definition money grubbing and dishonest.
^ abMitford, Jessica (2006). Sussman, Peter (ed.). Decca: The Letters of Jessica Mitford. Alfred A. Knopf. ISBN978-0-375-41032-1. Archived from the original on 2023-04-15. Retrieved 2022-01-01. Barthold Fles was Decca's first literary agent. She had been introduced to him by Doris Brin Walker's husband, Mason Robe[r]son. Fles's appeal included his continued representation of blacklisted screenwriters, whose work was carried by small, leftist publishing houses during the years of anti-Red hysteria.
^Mann, Heinrich; Barthold Fles; Madeleine Rietra (1993). Briefwechsel mit Barthold Fles, 1942-1949 (in German). Berlin: Afbau. p. 11. ISBN978-3-351-02244-0. 1936 heiratet er Ruth Grünwald, eine Tänzerin an der Metropolitan Oper, die ein Jahr zuvor mit ihren Eltern aus Frankfurt nach New York ausgewandert war.
^"Barthold Fles"(limited view). Publishers Weekly: 40. 1957. Archived from the original on 2023-04-15. Retrieved 2020-12-08. BARTHOLD FLES, New York literary agent, left July 5 for Europe. He will visit authors and publishers in 13 European countries and 30 cities, returning on September 15. In his absence the agency will be run by Mrs. Ruth Fles and Mrs. Robin McKown.
^Waters, Frank (1998). Of Time and Change, A Memoir. San Francisco, California: MacAdam/Cage. p. 217. ISBN978-1-878448-86-6. Archived from the original on 2023-04-15. Retrieved 2020-12-08. Dasburg and Fles fled into the Taos Inn, where they ate their Thanksgiving dinner. I joined them there, contrite and embarrassed. Bart Fles, whose wife had just left him, shrugged. 'You're no different from the rest of us, Frank. It happens to us all.' Added Dasburg, 'Wine and women! You and I've had no luck with either of them, Frank!'
^ abcde"Agent Barthold Fles to retire to artists' colony near Amsterdam." Publishers Weekly 228 (Nov. 29, 1985): p. 14
^Branscum R: Cheater and Flitter Dick. Viking Press, 1983.
^ abcdefghijklmnopqBueno de Mesquita, Jolien (December 3, 1993). "'Overschat u de Amerikanen niet?' vroeg Fles aan Mann" ['Aren't you overestimating the Americans?' Fles asked Mann]. Nieuw Israëlitisch Weekblad (in Dutch). Vol. 129, no. 13. Amsterdam. Hij vestigt zich in New Vork en zal tot 1945 meer dan dertig Duitstalige schrijvers vertegenwoordigen onder wie Irmgard Keun, Leo Perutz, Joseph Roth, Jakob Wassermann, Heinrich, Klaus, Thomas en Erika Mann, Bertold Brecht en Lion Feuchtwanger. In het jaar dat Fles trouwt, 1936, haalt hij ook de schrijver Hans Natonek als cliënt binnen. Zonder de minste inspanning. Want door dat huwelijk was Natonek [...] nu zijn stiefvader geworden. [...] In Nederland hielp hij onder anderen Dola de Jong en Maurits Dekker aan een uitgever.
^Butcher, Fanny (1957-05-19). "The Literary Spotlight - Part 4". Chicago Daily Tribune. p. G9. I hear that there is a new Finney fantasy in the hands of the author's agent, Barthold Fles. It is science fiction with religious overtones.
^Henry B. Maloney (1973): Goal making for English teaching, p. 14.
^Stewart, John. Ernst Krenek: the man and his music. Berkeley, California: University of California Press. p. 219. Nevertheless, Simon and Schuster turned it down, whereupon Fles took over as Krenek's literary agent and soon succeeded in placing the book with W. W.
^Mitford, Jessica (1978). A fine old conflict. Vintage Books. ISBN9780394726151. Drawing on the trade press for inspiration, I wrote the piece, entitled "St. Peter Don't You Call Me," and sent it off to Bart Fles. Faithful Bart circulated it to numerous magazines and forwarded the rejections that poured in from Coronet, the Nation, the Reporter, the Atlantic Monthly, and others. "Eet ees too deestasteful a subject," he told me. But eventually it did find a home, for a fee of forty dollars in Frontier, an obscure liberal Democratic magazine in Los Angeles with a circulation of two thousand.
^"Butler, Jean Rouverol 1916-". Contemporary Authors, New Revision Series. Vol. 118. 2003. pp. 58–60. Archived from the original on April 15, 2023. Retrieved August 18, 2017.
^Klein, Alexander, ed. (1958). The double dealers: adventures in grand deception. J. B. Lippincott & Co. THE ROCKET SMASHERS by Richard Sharpe. Copyright 1956 by Fawcett Publications, Inc. Reprinted by permission of Barthold Fles, New York City.
^Rockwell, Molly (1993). "Acknowledgements". Norman Rockwell's Christmas Book. Harry N. Abrams. ISBN978-0-8109-8121-8. Fifteen songs and carols from A Treasury of Christmas Songs and Carols edited and annotated by Henry W. Simon. By permission of Barthold Fles, Literary Agent, New York.
^Stephen J. Herzog: Minority group politics, p. 281 and p. 322.
^Grant, Louis (1972). Communitas: of college and community. Van Nostrand Reinhold Company. p. vii. ISBN978-0-442-22793-7. JANET STEVENSON, 'Ignorant Armies,' Atlantic Monthly (October, 1969). Copyright (c) 1969 by Janet Stevenson. Reprinted by permission of Barthold Fles, literary agent.