The film shows the daily miserable life of the inhabitants descendants of slavery from a former quilombo located in a semi-arid region of Paraíba State. Using some elements of fiction, the documentary approaches the local reality in an unusual way in the Brazilian cinema until then.
Production
The project was inspired by a report by Linduarte Noronha, a Pernambucano State born journalist based in Paraíba.[4] He assembled a small film crew, composed of Vladimir Carvalho, João Ramiro Mello and Rucker Vieira.[5][6] The production was also supported by the then National Institute of Educational Cinema, led by filmmaker Humberto Mauro.[4][6] Subsequent disagreements over the script credits led to the breakup between Linduarte Nogueria with Vladimir Carvalho and João Ramiro Mello, the two presumably short film screenwriters (they were credited only as assistant directors).[5]
Reception
Considered the masterpiece of Linduarte Noronha, the film is also one of the precursors of the Cinema Novo movement.[6][7][8]
^ abSouza, Rosinalva Alves de (2004). "Linduarte Noronha". Enciclopédia do Cinema Brasilero (2.ª ed.). São Paulo, Brasil: Senac. pp. 400–401. ISBN85-7359-093-9.
^ abRamos, Fernão Pessoa (2004). "Vladimir Carvalho". Enciclopédia do Cinema Brasilero (2.ª ed.). São Paulo, Brasil: Senac. pp. 97–99. ISBN85-7359-093-9.
^Carvalho, Maria do Socorro (2003). "Cinema na Bahia, memórias da cidade de Salvador" [Cinema in Bahia, Memories of the City of Salvador] (PDF) (in Portuguese). Revista do Programa de Pós-Graduação em Estudo de Linguagens - Departamento de Ciências Humanas – DCH I - Universidade do Estado da Bahia – UNEB. Archived from the original(PDF) on 5 November 2017. Retrieved 27 May 2020.