Baryshevskyi played a concert in Kyiv Philharmonic on 22 February 2022, the day before the Russian invasion of Ukraine. On the first day of the war he went to Lviv and start volunteering. In an interview with Michael Ertl for BBC World Service he said "First few days we were making camouflage nets and then we thought maybe we can do something more. My goal now is to show Ukrainian music."[3]
Baryshevskyi organised and played a charity video concert on 23 March 2022, together with violinist Aleksey Semenenko and others, to help colleagues.[4] After he was permitted to leave the country, he made his way to the Netherlands. From 2023 he is artist-in-residence at Splendor (Amsterdam) [nl].[5]
In October 2023 Baryshevskyi and violinist Alexey Semenenko accompanied the National Symphony Orchestra of Ukraine's tour of the United Kingdom as alternating soloists.[6][7]
Baryshevskyi dared to be different, and he does so again here. If you prefer your Pictures in bold primary colours, this is not for you, but Baryshevskyi has ideas that penetrate beyond the surface of the canvas to touch facets of emotion that are obviously personal to him and which bring to the exhibition a special perspective. Baryshevskyi's performances of Scriabin that are the most unequivocally impressive.[11]
A review of Shostakovich: Suite for Variety Orchestra; Concerto for Piano, Trumpet & Strings; The Golden Age in Classical Music described "how the satirical fireworks were always shadowed by a mournful remoteness. And these opposites are nicely balanced here under Antonii Baryshevskyi's volatile fingers and Howard Griffiths's crisp direction."[12]
Hymne au Soleil (Oeuvres Chorales – Choral Works) by Lili Boulanger with Orpheus Vokalensemble, conductor Michael Alber. Carus-Verlag, 2018.
Shostakovich: Suite for Variety Orchestra; Concerto for Piano, Trumpet & Strings; The Golden Age. With Romain Leleu, Brandenburgisches Staatsorchester Frankfurt/ Howard Griffiths, 2018.[12]
Frédéric Chopin selected piano works – 24 Preludes Op. 28; 5 Mazurkas ; Scherzo No. 2 Op. 31. Issued with No. 353, April 2019, of Amadeus, 2019.[14]