And Then There Were None
Title card
Genre	Mystery Drama Thriller
Based on	And Then There Were None by Agatha Christie
Written by	Sarah Phelps
Directed by	Craig Viveiros
Starring	Douglas Booth Charles Dance Maeve Dermody Burn Gorman Anna Maxwell Martin Sam Neill Miranda Richardson Toby Stephens Noah Taylor Aidan Turner
Composer	Stuart Earl
Country of origin	United Kingdom
Original language	English
No. of episodes	3
Production
Executive producers	Mathew Pritchard Hilary Strong Karen Thrussell Damien Timmer Matthew Read Sarah Phelps
Producer	Abi Bach
Cinematography	John Pardue
Running time	180 minutes
Production companies	Mammoth Screen Agatha Christie Productions Acorn Productions A&E Networks
Original release
Network	BBC One BBC One HD
Release	26 December (2015-12-26) – 28 December 2015 (2015-12-28)

And Then There Were None is a 2015 mystery thriller television series that was first broadcast on BBC One from 26 to 28 December 2015. The three-part programme was adapted by Sarah Phelps and directed by Craig Viveiros and is based on Agatha Christie's 1939 novel of the same name.^[1][2][3] The series features an ensemble cast, including Douglas Booth, Charles Dance, Maeve Dermody, Burn Gorman, Anna Maxwell Martin, Sam Neill, Miranda Richardson, Toby Stephens, Noah Taylor, and Aidan Turner. The programme follows a group of strangers who are invited to an isolated island where they are murdered one by one for their past crimes.

The drama, debuting to 6 million viewers, received critical acclaim with many praising the writing, performances, and cinematography. It also scored high ratings.

On a hot day in late August 1939, eight people, all strangers to each other, are invited to a small, isolated island off the coast of Devon, England, called Soldier's Island, by a "Mr. and Mrs. Owen". The guests settle in at the manor home on the island tended by two newly hired servants, a husband and wife, Thomas and Ethel Rogers, but their hosts are absent. When the guests sit down to dinner, they notice the centrepiece, ten abstract art deco figurines, supposedly representing ten soldiers arranged in a circle. Afterward, Thomas Rogers puts on a gramophone record, from which a voice accuses everyone present of a murder.^[4] Shortly after this, one of the party dies from poisoning, and then more and more people are murdered, all in methods synonymous with a poem affixed in each bedroom. With each death, the murderer removes a figurine from the centrepiece to coincide with the rhyme's sinister disappearance of each "little soldier boy." The remaining people must discover who the murderer is before they run out of time and nobody remains.

• In the book, the entire group are ferried by Fred Narracott together, except for Dr. Armstrong, who arrives later and is ferried separately. Here, Emily Brent and Anthony Marston are ferried early. Also, Marston was not depicted as a cocaine addict in the book, but a dissolute wealthy playboy.
• Edward Seton, the man Justice Wargrave is accused of having hanged for crimes he did not commit (but was in fact guilty), was, in the original novel, executed for the murder of his landlady to get her money. Here, he is said by Wargrave to have killed multiple people, believing he was doing the world a favour by getting rid of them.^{[citation needed]}
• In the book, Detective Sergeant William Blore is accused of having committed perjury, with the result that an innocent man was wrongly sent to jail for life, where he died. In this series, Blore is accused of beating a homosexual man to death. In the book, he is killed by a clock in the shape of a bear being dropped on his head, whereas in this production he is killed by being stabbed and draped with a bear rug.^[5]
• In the book, Emily Brent, after being given a surreptitious sedative in her coffee (only she and Wargrave drank coffee; the others all drank tea), is killed with an injection of cyanide from Dr Armstrong's purloined hypodermic needle, and a bee put into the room to fulfill the rhyme. Here, after being given the sedative and left alone, she is stabbed in the throat with one of her own knitting needles, embossed with her initials "EB", which, facing downward, sounds phonetically like "bee".
• Another variation is that in the original version, Brent's maid, Beatrice Taylor, had killed herself by drowning, not by throwing herself in front of a speeding train. In the novel, Beatrice was the daughter of religious parents who disowned her after learning of her being pregnant out of wedlock; in the film, Beatrice is herself the illegitimate daughter of a teenager.
• In the book, the Rogers are suspected of having withheld vital medication from their elderly employer, Miss Brady, so as to kill her, whereas in the series they suffocate her with a pillow. Mrs Rogers receives a fatal overdose of chloral hydrate in her brandy in the drawing room in the chaos after the gramophone recording, whereas here it is implied that she was administered the overdose in her bedroom. In the book, Mr Rogers is killed with an axe blow to the head while he is chopping wood; here, his midriff is eviscerated by an axe.
• In the book, General Macarthur has his wife (Leslie)'s lover, Arthur Richmond, killed by sending him out on a particularly deadly mission, where his death was almost assured. However, in this production General Macarthur kills Henry Richmond (as he is called here) by shooting him in the back. Macarthur himself is killed with a telescope here, whereas in the original novel he was bludgeoned by an unidentified weapon, suspected, ironically, to be a life preserver.
• In the book, Philip Lombard is a soldier of fortune responsible for the deaths of 21 men in East Africa by abandoning them in the desert and taking the food and supplies with him, which he does not deny. In this series, he kills the men to get diamonds.
• The bacchanal that takes place in the third episode does not happen in the book.
• In the book, Vera faints due to planted seaweed in her room she mistakes for a cold dead hand, largely because of her increasing guilt and obsession with her own crime against Cyril Hamilton. This distraction allows for the judge to arrange for himself to be discovered "killed". In the show, no such diversion is coordinated, and it is only by chance that Vera hallucinates feeling Cyril's hand. However, promotional material suggests that the book's seaweed gag was originally planned for the miniseries.^{[citation needed]}
• In the book, there is no explicit romance between Vera and Lombard and they never become physically intimate with one another.
• In the book, Vera hangs herself in a post-hypnotic trance after shooting Lombard dead, and never discovers the true identity of "U.N. Owen", and the reader only finds out in the postscript that Owen was Wargrave.^[6] In this production, Wargrave walks into the room while Vera is about to hang herself, explains his actions and motivations, and informs her that he intends to shoot himself and create an unsolvable mystery. She tries to bargain with him but he suddenly yanks the chair from under her feet, causing her seemingly self-inflicted death.
• Wargrave's death is very different from the novel. In the book, he sets up his death in his bedroom to reflect how he was last found, by shooting himself in the forehead, with a cord tied to the revolver and door knob, allowing the gun to be pulled away after firing. Here, after killing Vera, he goes to the dining room, where he sets up two place settings, presumably for himself and "U.N. Owen". He fires the bullet just under his chin, and the revolver's recoil propels the gun away, landing at the empty place setting.
• In the novel, after the deaths and the arrival of help from the mainland, two policemen sit to discuss the case and ultimately are unable to solve the mystery. Later, a note from the murderer in a bottle is caught in a fishing trawler's net and the mystery is solved. Neither occurs in this version, although early promotional material suggests the scene of the two policemen was initially planned and filmed.

(From top to bottom, left to right), Douglas Booth, Miranda Richardson, Charles Dance, Maeve Dermody, Sam Neill and Aidan Turner.

And Then There Were None was commissioned by Ben Stephenson and Charlotte Moore for the BBC to mark the 125th anniversary of Agatha Christie's birth.^[7] The adaptation was produced by Mammoth Screen in partnership with Agatha Christie Productions.^[8][9][10]

Writer Sarah Phelps told the BBC that she was shocked by the starkness and brutality of the novel. Comparing the novel to Christie's other work, she stated, "Within the Marple and Poirot stories somebody is there to unravel the mystery, and that gives you a sense of safety and security, of predicting what is going to happen next... In this book that doesn't happen – no one is going to come to save you, absolutely nobody is coming to help or rescue or interpret."^[11]

Maeve Dermody was cast two days before the read through of the script and was in Myanmar at the time.^[12] She flew to the UK to begin work with a dialect coach and read the book in the first two weeks of filming.^[13]

Filming began in July 2015.^[14] Cornwall was used for many of the harbour and beach scenes, including Holywell Bay, Kynance Cove, and Mullion Cove.^[15] Harefield House in Hillingdon, outside London, served as the location for the island mansion.^[16] Production designer Sophie Beccher decorated the house in the style of 1930s designers like Syrie Maugham and Elsie de Wolfe.^[17] The below stairs and kitchen scenes were shot at Wrotham Park in Hertfordshire.^[18] Railway scenes were filmed at the South Devon Railway between Totnes and Buckfastleigh.^[19]

And Then There Were None received critical acclaim and was a ratings success for the BBC, with the first episode netting over 6 million viewers and becoming the second most watched programme on Boxing Day. Each of the two subsequent episodes netted over 5 million viewers.^[21]

On review aggregator Rotten Tomatoes, And Then There Were None has an approval rating of 86% based on 13 reviews, with an average rating of 7.5/10. The site's critics' consensus reads: "Dark yet dashingly executed, And Then There Were None offers a brazenly misanthropic look at human nature."^[22]

Ben Dowell of the Radio Times gave a positive review.^[23] Jasper Reese for The Daily Telegraph gave the first episode 4 out of 5 stars, calling it a "pitch-black psychological thriller as teasing murder mystery" and "spiffingly watchable".^[24]

Reviewing the first episode, UK daily newspaper The Guardian's Sam Wollaston noted, "[...] it also manages to be loyal, not just in plot but in spirit as well. I think the queen of crime would approve. I certainly do. Mass murder rarely gets as fun as this."^[25] Reviewing the final episode for The Daily Telegraph, Tim Martin gave it 4 out of 5 stars, calling it a "class act", and praising the adaptation for highlighting the darkness of Christie's novel, which he claimed no previous adaptation had attempted.^[26] The Russian adaption, ‘’Desyat Negrityat’’ from 1987, however, was the first visual adaption to include the novel’s original ending.

And Then There Were None was the first in a series of Christie adaptations scripted by Sarah Phelps for the BBC. The further instalments consisted of: The Witness for the Prosecution (2016), Ordeal by Innocence (2018), The ABC Murders (2018) and The Pale Horse (2020).

• And Then There Were None (disambiguation)

• And Then There Were None at IMDb
• And Then There Were None at BBC Online
• And Then There Were None at Rotten Tomatoes