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All Hail the Power of Jesus' Name
"All Hail the Power of Jesus' Name" is a Christian hymn. The hymn has been called the "National Anthem of Christendom".[1] The lyrics, written by Edward Perronet, first appeared in the November, 1779 issue of the Gospel Magazine, which was edited by the author of "Rock of Ages", Augustus Toplady. The song was heavily altered for the Unitarian hymnal, which was also licensed to the hymnal of the Unity Church: "All Hail the Power of Truth to Save from Error's Binding Thrall." Bing Crosby included the hymn in his 1951 album Beloved Hymns. TextThe original had eight stanza,[2] but it is often shortened in modern hymnals; for example:[3] 1 All hail the power of Jesus' name! TunesThe hymn is sung to a variety of tunes. "Coronation" (Oliver Holden, 1793) is most common in the United States.[3][4] ![<< <<
\new Staff { \clef treble \time 4/4 \partial 4 \key f \major \set Staff.midiInstrument = "church organ" \set Score.tempoHideNote = ##t \override Score.BarNumber #'transparent = ##t
\relative c'
<< { c4 | f f a a | g f g a | g f a g | f2. \bar"" \break
g4 | a g f a | c8([ bes]) a( g) a4 c | c2 c | d c4( b) | c2. \bar"" \break
a4 | c a f a | g8([ f]) g( a) g4 f | c'2 bes | a4.( bes8 g4) g | f2. \bar"|." } \\
{ c4 | c c f f | e d e f | e f f e | c2.
e4 | f e c f | g e f e | f2 g | f e4( d) | e2.
f4 | f f c f | e8([ d]) e8( f) e4 f | f2 f | f2. e4 | c2. } >>
}
\new Lyrics \lyricmode {
All4 hail the pow'r of Je -- sus' name!
Let an -- gels pros -- trate fall;2.
Bring4 forth the roy -- al di -- a -- dem
And crown2 Him Lord of all.2.
Bring4 forth the roy -- al di -- a -- dem
And crown2 Him Lord of all.2.
}
\new Staff { \clef bass \key f \major \set Staff.midiInstrument = "church organ"
\relative c
<< { e4 | a a c c | c a c c | c a c bes | a2.
c4 | c c f, c' | c c c c | a2 g | a g | g2.
f4 | a c c c | c g c a | c2 d | c2. bes4 | a2. } \\
{ c,4 | f, f f' f | c d c a | c d c c | f,2.
c'4 | f c a f' | e c f c | f2 e | d g, | c2.
f4 | f f a f | c c c d | a2 bes | c2. c4 | f,2. } >>
}
>> >>
\layout { indent = #0 }
\midi { \tempo 4 = 90 }](http://upload.wikimedia.org/score/r/3/r3nx0ta616ijmqf2ilymslypwdoly3d/r3nx0ta6.png) "Miles Lane" (William Shrubsole, 1779) was originally associated with the tune in Britain.[2] It first appeared in the Gospel Magazine (November 1779) as a three part arrangement with a figured bass. The "striking refrain" originally began as a series of ascending exclamations by solo voices, but this was later fully harmonised in four parts in Hymns Ancient and Modern and endures as such in modern hymnals.[5][6] ![\transpose a c {
<< <<
\new Staff { \clef treble \time 4/4 \partial 4 \key a \major \set Staff.midiInstrument = "church organ" \set Score.tempoHideNote = ##t \override Score.BarNumber #'transparent = ##t
\relative e''
<< { e4 | a a a b | cis b8( a) b4 \breathe e, | fis e8( d) cis4 b | a2. \bar"||" \break
e'4 | a a a b | cis b8( a) b4 \breathe e, | a2 a | \break
cis cis | e e \bar"||" cis d | cis b | a2. \bar"|." } \\
{ cis,4 | e fis e e | e4. dis8 e4 e | d8([ cis]) b( a) a4 gis | a2.
cis8( b) | a4 fis' e d | cis dis e e | e2 e |
e a | a4( gis8 fis) gis2 | e fis | e e4( d) | cis2. } >>
}
\new Lyrics \lyricmode {
All4 hail the power of Je -- su's name;
Let an -- gels pro -- strate fall;2.
Bring4 forth the ro -- yal di -- a -- dem
To crown2 him, crown him, crown him,
crown him Lord of all.2.
}
\new Staff { \clef bass \key a \major \set Staff.midiInstrument = "church organ"
\relative c'
<< { a'4 | cis d cis b | a b8( fis) gis4 a | a gis8( fis) e4 e8( d) | cis2.
e4 | e a a fis8( gis) | a( gis) fis4 gis e | cis'2 cis |
cis a | cis4( b8 a) b2 | cis a | a gis | a2. } \\
{ a,4 | a d a' gis | a gis8( fis) e4 cis | d e8( fis) e4 e, | a2.
a8( b) | cis4 d cis b | a b e e | a,2 a |
a' fis | e e | a d, | e e | a,2. } >>
}
>> >> }
\layout { indent = #0 }
\midi { \tempo 4 = 100 }](http://upload.wikimedia.org/score/i/w/iwpj82pqoec0pa333ck6kgtl0irpypy/iwpj82pq.png) "Diadem" (James Ellor, 1838) is also a popular alternative, although Methodist scholar Carlton Young notes that the "tune is sometimes described as a choral anthem", due to the repetition of the refrain "Crown him!" in running passages between the voices.[2][7] ![\transpose f as {
<< <<
\new Staff { \clef treble \time 3/4 \partial 4 \key f \major \set Staff.midiInstrument = "church organ" \set Score.tempoHideNote = ##t \override Score.BarNumber #'transparent = ##t
\relative c'
<< { c4 | f2 g4 | a8.( bes16 c4) f, | g( f) e | f2 e8( d) | c4. c8 d[ d] | c4( f) \bar"" \break
f4 | d( bes') bes | a2 g4 | f2 f8( g) | a2 a4 | a( g) f | g( f) e | f8.( g16 a4) \bar"||" \break
c4 | bes4.( a8 g bes | a4. g8 f a | g4. f8 e g | f4) f r | bes bes r | \break
g g r | a a c | f,8.( g16 a4) bes | a2 g4 | f2 \bar"|." } \\
{ a,4 | c2 c4 | c2 d4 | d( c) bes | a2 c8( bes) | a4. a8 bes[ bes] | a2
c4 | bes( d) d | c2 bes4 | a2 a8( bes) | c2 c4 | cis2 d4 | d c! bes | a8.( bes16 c4)
es4 | d4.( c8 bes d | c4. bes8 a c | bes4. a8 g bes | a4) a r | d d r |
c c r | c c c | c2 d4 | f2 e4 | c2 } >>
}
\new Lyrics \lyricmode {
All4 hail2 the4 pow'r2 of4 Je2 -- sus'4 name!2
Let4 an4. -- gels8 pros -- trate fall,2
let4 an2 -- gels4 pros2 -- trate4 fall;2
bring4 forth2 the4 roy2 -- al4 di2 -- a4 -- dem,2
and4 crown2. -- "" -- "" -- ""4 him, "" crown him, "" crown him,
"" crown him, and crown2 him4 Lord2 of4 all.2
}
\new Staff { \clef bass \key f \major \set Staff.midiInstrument = "church organ"
\relative c
<< { f4 | a( f) e | f8.( g16 a4) a | bes( a) g | f2 g8( e) | f4. f8 f[ f] | f2
a4 | bes( f) f | f2 e4 | f2 f4 | f2 f4 | a2 a4 | bes( a) g | f2
a4 | bes f r | f f r | e e r | f f r | f f r |
e e r | f f a | a8.( g16 f4) f | f8( a c4) bes4 | a2 } \\
{ f,4 | f4( a) c | f2 d4 | bes( c) c | f,2 r4 | r2 r4 | r2
f4 | bes2 g4 | c2 c4 | f,2 f4 | f'2 f4 | e2 d4 | bes( c) c | f,2
f'4 | bes, bes r | f f r | c' c r | f4.( e8 d c | bes4. a8 g f |
c'4. d8 e c | f4) f r | r r8 f bes,[ bes] | c2 c4 | f,2 } >>
}
>> >> }
\layout { indent = #0 }
\midi { \tempo 4 = 90 }](http://upload.wikimedia.org/score/a/w/aw6notqnwymx7ijo5k3lebx5j2ysfa3/aw6notqn.png) Sources
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