Alain Damiens (born 1950 in Calais) is a French classical clarinetist.
Life
After studying clarinet at the Conservatoire de Calais,[1] Alain Damiens studied with Ulysse Delécluse at the Conservatoire de Paris and obtained his first prizes (clarinet, chamber music). He received a scholarship to the National Music Camp Michigan in the United States, where he studied clarinet, chamber music and orchestra.
Helmut Lachenmann, Dal Niente – Pression – Wiegenmusik – Allegro Sostenuto – Pierre-Laurent Aimard; Alain Damiens; Pierre Strauch (1003, Accord 202082)
Hurel, Six miniatures en trompe-l'œil; Leçon de choses; Opcit; Pour l'image for clarinet, bass clarinet; Ensemble intercontemporain; Ed Spanjaard; Alain Damiens (1995, Musidisc)
Xenakis, Anaktoria; Morsima-Amorsima; Oophaa; Charisma°; Mists*; Mikka / Mikka « S »°° – Octuor de Paris,[8]Elisabeth Chojnacka°, harpsichord; Sylvio Gualda°, percussion; Alain Damiens*, clarinet; Pierre Strauch, cello; Claude Helffer; Maryvonne Le Dizès°°, violin (1972, 1984, 1985 and 1990, Accord 205652) OCLC36697361
Boulez's Répons; Dialogue de l'ombre double – Ensemble InterContemporain / Pierre Boulez / Alain Damiens (1998, Deutsche Grammophon) OCLC781040870
Brahms' Complete work for clarinet (Musidisc,1996)
^Steinegger, Catherine (2012). Pierre Boulez et le théâtre: de la Compagnie Renaud-Barrault à Patrice Chéreau (in French). Éditions Mardaga. p. 432. ISBN978-2804700904. see p. 246
^Noubel, Max (2017). Elliott Carter ou le temps fertile (in French). Éditions Contrechamps. p. 169. ISBN978-2940599264..