Ademola Olugebefola (néBedwick Lyola Thomas; born October 2, 1941)[1][2] is an American multidisciplinary visual artist, designer, educator, musician, and businessperson from Saint Thomas, U.S. Virgin Islands.[3][4] He is considered a founder within the Black Arts Movement of the 1960s and 1970s.[5] Olugebefola art practice includes work in painting, murals, printmaking, illustration, drawing, theatre scenic design, and sculpture.[6] He lives in Harlem, New York City, where he moved in 1966.[5][7]
Early life and education
Ademola Olugebefola was born as Bedwick Lyola Thomas on October 2, 1941, in Charlotte Amalie, St. Thomas, U.S. Virgin Islands. At a young age he moved with his family to New York City, where he was raised.[3]
Olugebefola joined the Twentieth-Century Creators group in 1964; and was a founder of Weusi Artist Collective in 1965 and subsequently the Weusi Gallery in New York City.[2] These three organizations supported African American artists, made work for a Black audience, and their work often featured pan-African aesthetics, themes and symbols.[2][9] He later co-founded of the Dwyer Cultural Center in Harlem, New York City.[4]
Olugebefola took part in the exhibitions Seeing Jazz: Artists and Writers on Jazz (1997) at the Smithsonian Institution, Washington D.C.;[10]Black Art-Ancestral Legacy: The African Impulse in African-American Art (1989–1990) at the Dallas Museum of Art in Dallas, Texas; and When The Spirit Moves: African American Art Inspired by Dance (2000–2001) at the Spelman College Museum of Fine Art in Atlanta, and Anacostia Community Museum in Washington D.C..[2][11]
He has illustrated many books, magazines, and other publications, including Shirley E. Riley's poetry book, The Cool is Gone (1979).[2]
In the 1970s with his brothers, he opened "Ori-Gem", a Caribbean apparel store and gallery in St. Thomas.[1] In 1978, he opened "Tetrahedron", an arts brokerage.[1] In 1980, he opened with his wife Pat Davis, Solar Associates an marketing, advertising, and graphic production firm.[1]
Exhibitions
Black Art-Ancestral Legacy: The African Impulse in African-American Art (1989–1990), group exhibitions, Dallas Museum of Art, Dallas, Texas
Seeing Jazz: Artists and Writers on Jazz (1997), group exhibition, Smithsonian Institution, Washington D.C.[10]