The Accademia degli Oziosi (Academy of the Idle) was the most famous Neapolitan literary academies of the Renaissance.[1]
History
The Accademia degli Oziosi was founded in 1611 by Giovanni Battista Manso, Marquis of Villa. The Academy was officially inaugurated on May 3, 1611 in the cloister of Santa Maria delle Grazie. It played a key role in introducing conceptismo to Naples, where orthodox Petrarchism had displaced the richly experimental poetry produced there in the previous decades.[1] The Academy soon became one of the places for the formation of the Neapolitan intellectual elite. When Giambattista Marino returned to his native city in 1624, he was elected the Academy's Principe.[1] After the death of Marino in 1625 Manso himself became Principe of the Oziosi, a position which he was to hold until his own death on 28 December 1645.[2]
The Academy enjoyed patronage from the viceroy of Naples Pedro Fernández de Castro, Count of Lemos.[3] In the early seventeenth century it was the most important cultural institution of the city outside the university. Manso introduced John Milton to the Accademia degli Oziosi in 1638.[5] By the mid 1650s the Academy became the launching platform for the literary careers of a long series of poets who moved conceptismo towards ever more elaborate and ornately erudite forms, most notably Giuseppe Battista.[1]
^'Regole dell'Accademia degli Oziosi,' BNN, ms. Brancacciana V.D.14 (miscellanea manoscritti), ff. 127r–134r. This text, first published in Carlo Padiglione, Le leggi dell'Accademia degli Oziosi in Napoli ritrovate nella Biblioteca Brancacciana (Napoli: F. Giannini, 1878), is now in De Miranda, Una quiete operosa, 327–43.
Bibliography
Comparato, V. I. (1973). "Società civile e società letteraria nel primo Seicento: l'Accademia degli Oziosi". Quaderni Storici. 8 (23): 359–389. JSTOR43776461.
Fernández Murga, Félix (1982). "Francisco de Quevedo, académico ocioso". In García de la Concha, Víctor (ed.). II Homenaje a Quevedo. Ediciones Universidad de Salamanca. pp. 45–52. ISBN84-7481-195-3.
De Miranda, G. (2000). Una quiete operosa. Forme e pratiche dell'Accademia napoletana degli Oziosi. Naples: Fridericiana Editrice Universitaria.
Aurelio Musi, “‘Non pigra quies’. Il linguaggio politico degli Accademici Oziosi e la rivolta napoletana del 1647–48,” in Musi, L’Italia dei viceré. Integrazione e resistenza nel sistema imperiale spagnolo (Cava de’ Tirreni, 2000, pp. 129-147).