A Bell Is a Cup

A Bell Is a Cup… Until It Is Struck
Studio album by Wire
Released	May 1988
Recorded	December 1987 Live tracks recorded 1 December 1987 at the Town and Country Club, London, with the Manor Mobile
Studio	Preußen Tonstudio, Berlin, West Germany
Genre	Post-punk alternative rock electronic
Length	44:11 (LP) 70:19 (CD)
Label	Mute, Enigma
Producer	Gareth Jones
Wire studio album chronology
The Ideal Copy (1987) A Bell Is a Cup… Until It Is Struck (1988) It's Beginning To And Back Again (1989)

A Bell Is a Cup... Until It Is Struck is the fifth studio album by the British post-punk group Wire.

Critical response

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Robert Christgau	B+[3]
Rolling Stone	[2]

In 1989, the Trouser Press Record Guide described the album as "a stylized set of dreamscapes and consciousness streams… It's arguably Wire's most ruminative album, and while immersion in it won't, as 'Silk Skin Paws' suggests, 'wring your senses' – that's more a job for Chairs Missing – it will twirl your lobes a time or two."[4] However, in a later edition, Trouser Press held a more critical view, writing "Wire stayed the dance-pop course with diminishing results on A Bell Is a Cup."[5]

At the time of the album's release, Wire faced accusations that they had abandoned their earlier rough-edged sound for a softer, more refined style.[6] Graham Lewis dismissed such criticism:

This is a fallacy… When [Wire's early albums] were released, they were considered more polished than other records at the time. Every record that's been made, the same criticism of being less abrasive has been levelled at it. The abrasion is actually in the content – both lyrics and sound.[6]

AllMusic gave the album a laudatory review, describing the record as "arguably Wire's best album and certainly its most accessible… a work of modern rock genius."[1]

Cover art

The sculpture shown is the Selene horse from the Parthenon Marbles.

Track listing

All tracks published by Stainless Music.

All tracks are written by Wire

No.	Title	Length
1.	"Silk Skin Paws"	4:53
2.	"The Finest Drops"	5:01
3.	"The Queen of Ur and the King of Um"	4:03
4.	"Free Falling Divisions"	3:39
5.	"It's a Boy"	4:26
6.	"Boiling Boy"	6:22
7.	"Kidney Bingos"	4:12
8.	"Come Back in Two Halves"	2:43
9.	"Follow the Locust"	4:22
10.	"A Public Place"	4:30

The CD version appends the following tracks:

No.	Title	Length
11.	"The Queen of Ur and the King of Um" (alternative version)	4:02
12.	"Pieta"	7:29
13.	"Over Theirs" (live)	6:36
14.	"Drill" (live)	8:01

Personnel

Wire

• Bruce Gilbert
• Robert Gotobed
• Graham Lewis (credited as "Lewis")
• Colin Newman

Production

• Gareth Jones – production
• David Heilmann – engineer
• Paul Davis – front of house engineer [13, 14]
• Simon Hardiman – stage monitor engineer [13, 14]
• Ifan Thomas – backline [13, 14]
• Slim Smith – layout

References

1. "A Bell Is A Cup… Until It Is Struck". AllMusic. Retrieved 9 January 2012.
2. [1] Archived 2 October 2007 at the Wayback Machine
3. "CG: wire". Robert Christgau. Retrieved 9 January 2012.
4. Green, Jim (1989). "Wire". In Ira A. Robbins (ed.). The Trouser Press Record Guide (third ed.). New York: Collier Books. p. 632. ISBN 0-02-036370-2.
5. DeRogatis, Jim; Wilson Neate. "Wire". Trouser Press. Trouser Press LLC. Archived from the original on 4 February 2012. Retrieved 5 June 2007.
6. Balfour, Brad (August 1988). "Wire". Reflex Magazine. Vol. 1, no. 6. p. 33.