^Daniel Thomas, in 'Creative Displacements: Georges Mora, Rudy Komon, Joseph Brown', in Art and Australia, Vol 30 No 4 Winter 1993, p. 481, recounts that they were attracted to Australia;
"because his wife, Mirka, had read [in] Murger's Scènes de la Vie de Bohème [of] a character, the photographer Antoine Fauchery, who had been in Melbourne and Mirka declared, 'Melbourne is so attractive to the French'"
^unverified account from his biography on the Georges Mora Foundation website [1]نسخة محفوظة 30 سبتمبر 2009 على موقع واي باك مشين.
^Daniel Thomas. 'Creative Displacements: Georges Mora, Rudy Komon, Joseph Brown', in Art and Australia, Vol 30 No 4 Winter 1993, p. 481
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