Musik luar angkasa

Musik luar angkasa
Musik luar angkasa biasanya membangkitkan rasa citra spasial dan emosi atau sensasi mengambang, berlayar, terbang, dan sensasi transportasi lainnya.
Nama asal
Space music
Sumber aliran
Sumber kebudayaanAwal 1970-an, di Jerman dan Jepang[1][2]
Genre campuran (fusion)
Topik lainnya

Musik luar angkasa, atau space music, adalah subgenre musik zaman baru yang digambarkan sebagai musik yang "menenangkan, menghipnotis, dan mengharukan". Genre ini berasal dari musik ambient dan dikaitkan dengan musik lounge, easy listening, dan musik elevator.[3]

Menurut Stephen Hill, salah satu pendiri acara radio bernama Hearts of Space, istilah ini digunakan untuk menggambarkan musik yang membangkitkan perasaan kelapangan kontemplatif.[4][5][6] Hill menyatakan bahwa musik luar angkasa dapat memiliki karakter beragam, tekstur sonik musiknya bisa sederhana atau kompleks, bisa instrumental atau elektronik, mungkin juga tidak memiliki fitur melodi, harmonik, atau ritmis konvensional, dan mungkin kurang memperhatikan komposisi formal, dan tidak terpaku pada skema yang terkait dengan gaya musik lainnya.[7][8] Hill menyatakan bahwa musik luar angkasa dapat ditemukan dalam berbagai genre.[7][9] Musik luar angkasa mungkin memiliki pengaruh dari musik klasik barat, dunia, Musik Keltik, tradisional, dan musik eksperimental.[10]

Hill berpendapat bahwa musik luar angkasa dapat membangkitkan "kesinambungan citra spasial dan emosi",[11] yang bermanfaat untuk introspeksi, dan untuk mengembangkan, melalui praktik mendengarkan secara mendalam, kesadaran akan spasialitas fenomena suara.[12] Jenis musik psikonautika ini dapat menghasilkan keadaan seperti trans halus pada individu tertentu[13][14][15] yang pada gilirannya dapat menyebabkan sensasi terbang, mengambang, menjelajah, meluncur, atau melayang-layang di angkasa.[16][17]

Catatan kaki

  1. ^ Holmes, Thom (2008). "Live Electronic Music and Ambient Music". Electronic and experimental music: technology, music, and culture (edisi ke-3rd). Taylor & Francis. hlm. 403. ISBN 0-415-95781-8. Diakses tanggal 2011-06-12. 
  2. ^ Thom Holmes (2015), Electronic and Experimental Music: Technology, Music, and Culture, page 453, Routledge
  3. ^ Lanza, Joseph (2004). Elevator Music: A Surreal History of Muzak, Easy-listening, and Other Moodsong. University of Michigan Press. hlm. 185. ISBN 0-472-08942-0. 
  4. ^ "In fact, almost any music with a slow pace and space-creating sound images could be called spacemusic." Stephen Hill, co-founder, Hearts of Space, What is spacemusic?
  5. ^ "When you listen to space and ambient music you are connecting with a tradition of contemplative sound experience whose roots are ancient and diverse. The genre spans historical, ethnic, and contemporary styles. In fact, almost any music with a slow pace and space-creating sound images could be called spacemusic." Stephen Hill, co-founder, Hearts of Space, What is spacemusic?
  6. ^ Lanza, Joseph (2004). Elevator Music: A Surreal History of Muzak, Easy-listening, and Other Moodsong. University of Michigan Press. hlm. 184. ISBN 0-472-08942-0. space music evokes vague images of regal landscapes perhaps encountered in past lives or the tones of a harmonic convergence between earth and other celestial bodies... 
  7. ^ a b "A timeless experience...as ancient as the echoes of a simple bamboo flute or as contemporary as the latest ambient electronica. Any music with a generally slow pace and space-creating sound image can be called spacemusic. Generally quiet, consonant, ethereal, often without conventional rhythmic and dynamic contrasts, spacemusic is found within many historical, ethnic, and contemporary genres."Stephen Hill, co-founder, Hearts of Space, sidebar "What is Spacemusic?" in essay Contemplative Music, Broadly Defined
  8. ^ "The early innovators in electronic "space music" were mostly located around Berlin. The term has come to refer to music in the style of the early and mid-1970s works of Klaus Schulze, Tangerine Dream, Ash Ra Tempel, Popol Vuh and others in that scene. The music is characterized by long compositions, looping sequencer patterns, and improvised lead melody lines." – John Diliberto, Berlin School, Echoes Radio on-line music glossary Diarsipkan 2007-06-14 di Wayback Machine.
  9. ^ Herberlein, L.A. (2002). The Rough Guide to Internet Radio. Rough Guides. hlm. 95. ISBN 1-85828-961-0. 
  10. ^ Hurwitz, David (2005). Exploring Haydn: A Listener's Guide to Music's Boldest Innovator. Amadeus Press Unlocking the Masters Series. Hal Leonard. hlm. 78–81. ISBN 1-57467-116-2. 
  11. ^ "This music is experienced primarily as a continuum of spatial imagery and emotion, rather than as thematic musical relationships, compositional ideas, or performance values." Essay by Stephen Hill, co-founder, Hearts of Space, New Age Music Made Simple
  12. ^ "Innerspace, Meditative, and Transcendental... This music promotes a psychological movement inward." Stephen Hill, co-founder, Hearts of Space, essay titled New Age Music Made Simple
  13. ^ Lanza, Joseph (2004). Elevator Music: A Surreal History of Muzak, Easy-listening, and Other Moodsong. University of Michigan Press. hlm. 184. ISBN 0-472-08942-0. Space music is just as important for its ability to confound our spoon-fed sense of time and place. Its mercurial stirrings create openings between worlds: inner and outer space; ancestral rhythms and ultra-civilized electronics, the clock on the wall and the hallucinatory "psyhonaut" time that drifts in and out of waking life. 
  14. ^ Lanza, Joseph (2004). Elevator Music: A Surreal History of Muzak, Easy-listening, and Other Moodsong. University of Michigan Press. hlm. 185. ISBN 0-472-08942-0. The mystique of communing with some larger, transpersonal, extraterretrial Gaia is commonly included as part of space music's packaging. Explaining compositions such as 'The Galactic Chalice' and 'Celestial Communion,' Constance Demby refers to the 'transformative journey' with 'sounds to awaken and activate soul memory of our true origin.' 
  15. ^ Lancaster, Kurt; Brooks McNamara (1999). Warlocks and Warpdrive: Contemporary Fantasy Entertainments With Interactive and Virtual Environments. McFarland & Company. hlm. 29. ISBN 0-7864-0634-8. Space music presents a virtual fantasy of traveling in outer space. 
  16. ^ "...Spacemusic ... conjures up either outer "space" or "inner space" " – Lloyd Barde, founder of Backroads Music Notes on Ambient Music, Hyperreal Music Archive
  17. ^ "Space And Travel Music: Celestial, Cosmic, & Terrestrial... This New Age sub-category has the effect of outward psychological expansion. Celestial or cosmic music removes listeners from their ordinary acoustical surroundings by creating stereo sound images of vast, virtually dimensionless spatial environments. In a word – spacey. Rhythmic or tonal movements animate the experience of flying, floating, cruising, gliding, or hovering within the auditory space."Stephen Hill, co-founder, Hearts of Space, in an essay titled New Age Music Made Simple

Bacaan lanjutan

  • Prendergast, Mark. Eno, Brian (Foreword) (2001). The Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age. Bloomsbury USA. ISBN 1-58234-134-6.